The gamecock. (Columbia, S.C.) 1908-2006, February 23, 1978, Page Page 13, Image 13
'Cat on H<
By HENRY GREEN
Gamecock Staff Writer
Halleluiah! Thp TTSP1 n*?rmrt
ment of Theatre and Speech has
redeemed itself. After an entirely
forgettable production of Moliere's
"The Imaginary Invalid,"
University Theatre has done an
about-face and given a performance
of Tennessee Williams'
classic "Cat on a Hot Tin Roof" ?
a performance which should not
easily be forgotten; it was simply
excellent.
The acting was sizzling, the
costumes and the set made for a
good atmosphere, and there were
few, if any, flaws to be noticed in
the whole production.
Ilt has been said this Tennessee
Williams play is something like a
"Gone With the Wind" there are
few people who don't have some K
notion of what the story is all I]
about. Set on a plantation in the
Mississippi delta, in the steamy, m
subtropical "deep" South, during I
I the 1950s, the story deals with the I
sixty-fifth birthday of Big Daddy, V
the awesome owner of twenty-eight
thousand acres of the most fertile
land "this side of the Valley Nile."
On this occasion the closest
relatives of Big Daddy (played
magnificently by Jim E. Quick)
are gathered together under one
roof. The fact that Big Daddy has
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cancer affects each of the relatives
differently.
FOR EXAMPLE, Big Daddy's
I favorite son, the alcoholic Brick
(Harry Stockton), feels anguished
by the news. A former football star
and sports announcer, Brick has
begun drinking to escape from all
the lies ? the "mendacity" ?
IJoltn Travolta and Karen G
"Saturday Night Fever/' A nui
Oscar nomination for best actor
>t Tin Roof
offers sup
wue maggie iAnita Ashley),
meanwhile, is childless. Brick
cannot bring himself to have sex
with his wife, even though she is
extremely sexy.
Gooper (Stanley Ashley),
Brick's younger brother, and his
wife Mae (Ann McDaniel) are part
and parcel of the mendacity which
has driven Brick to drink. The two
cannot wait for Big Daddy to die so
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property, but in the meantime they
literally fall all over themselves
fawning on the old man with the
hope that he will leave his ten
million dollars and his thousands of
fertile acres to them in his will, if
he should decide to make out one.
BUI
mmMzmv
THERE IS ALSO THE
PROBLEM of Brick's shadowy
homosexuality. Why doesn't Brick
lust after his wife and desire to
have sex with her? Then Maggie
could bear the grandchild which
Big Daddy, who, like Brick, is
weary of the hypocrisy around
him, wants so badly. Is Brick
really homosexual, or is there
orney disco to the beat of
diber one soundtrack and an
couldn't save a poor script.
">
>erb acting
another reason for his not sleeping
with Maggie?
Stuck right in the middle of this
Southern soap opera setting is the
iai, Deicning, Dig-bosomed Big
Mama (Drucilla Brookshire), Big
Daddy's wife. She is the mostupset
of all by the prospect of Big
Daddy's death, and by the
bickering over his will.
How all these characters interact,
and how they allow their
passions to smoulder and then boil
over, is a delight to watch. It
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acting is, at least for the main
characters, excellent. All the
characters bear the burden of a
thick Southern accent well, making
that accent seem natural rather
than forced and faked, as one
might have feared.
THE HAVING AND RANTING,
the salty language and sexual
references, both of which would
make a sailor cover his ears and
blush, cast doubts on the notion of
sweet gentility found in the
Hollywood magnolia-andhoneysuckle
scenario of the South.
Indeed, these Southern aristocrats,
with their hot passions, act much
like the poor whites of "Tobacco
Rjad" and "God's Little Acre."
However the characters act, the
point is that the actors who played
them played them well in Tuesday
night's performance. University
Theatre should receive acclaim for
this Droduction. a gold star for a
presentation which captures attention
throughout.
The play continues tonight
through Saturday at 8 p.m. in
Longstreet Theatre. A Sunday
performance is also scheduled for 3
p.m.
Bad Movie
t
By BILL DOUGLAS
Gamecock Staff Writer
The Motion Picture Academy Awai
are soon to be handed out on television
of viewers. The night of the Acaden
honor excellence in the film industr)
superior acting. But what about the fi
mentioned or even nominated? They
recognition too.
So to correct this great injustice
dustry here is a list of some of the w<
past year:
THE BAI) NEWS BEARS ir
TRAINING ? This film was a sever
the fine first Bad News Bears fill
Matthau and Tatum O'Neal whicl
parent dominated world of Little L<
"Breaking Training Training" was
than a modern version of the "L
relying on the personalities of the
than the content of the script. Also
Rascals," "Breaking Training" had i
figure to match school marm' Miss (
name was William Devane.
THE DEEP ? A very expensive ar
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a whale of an underwater adventu
more than a chicken of the sea. Ev
Nick Nolte and Jacqueline Bisset (my
Wet T-shirt), and veteran actors R<
Louis Gossett could not save this fil
nominee for the Sominex film of th<
THE CHOIRBOYS ? A movie
policeman-turned-writer Joseph War
New
blue grass
club
By BARKY J. GLENN
Entertainment Editor
A new organization has just
been established on campus for
those persons interested in
bluegrass and folk music.
The USC Bluegrass and Folk
Music Society has just received
its charter and will hold its first
meeting at 7:30 p.m., Monday,
Feb. 27 in Room 301 of the
Russell House. The club's
president, David Hudson, said
uic vn gam/.aiiwn ir> luuivuig iui
anyone interested in bluegrass
and folk music, whether they
play an instrument or not.
"At this first meeting we want
to give the Carolina community
a chance to see if they want this
organization," said Hudson.
"We will decide later what
other avenues to go into."
Hudson, a sophomore in
accounting, has been playing
banjo for 15 years and gives
nothing more humor and high
.ittle Rascals," fans he is a capab
children rather capable guttermc
like the "Little
in authoritarian THE OTHER SI
"rabtree ... his hard to swallow tl
movie just to see a
there, to make it
id disappointing the Afternoon,"
na audiences as women interested
re was nothing who could control
en sex symbols one of the most I
choice for Miss history.
)bert Shaw and
m. Definitely a THE EXORCIS
; Year. all-star dud with j
so bad that a we
; so bad that
nbaugh wants it
V
I
^^wants
members
with each other and maybe set
up informal picking sessions."
Hudson also expressed hope
for setting up small concerts on
the Russell House patio and
possibly attracting professional
musicians sometime in the
future. "I don't want to
presumptiously promise the
Carolina community anything
now, but these are some ideas I
would like to see materialize,"
11..,1 <iir n
aaiu I1UU3UU. n mere are interested
students who enjoy
bluegrass and bluegrass
festivals there is a possibility
we could have a bluegrass
festival here with people like
Earl Scruggs, Ralph Stanley or
Doc Watson."
Hudson stressed that student
interest will determine if the
club survives or not. "We want
persons who play banjo, fiddlers,
doggers or just plain
listeners, he said. "If we have |
sufficient response we can have j
a really good organization, but
whether we do or not, I'll
continue picking."
st cannot be ignored
milarity between his book and the
cidental. Director Robert Aldrich
:rude' a new meaning by adding
gar language and just plain bad
i. Another loser for actor Louis
e who paid to see the film.
no star Marilyn Chamber's first
quite possibly her last. This flick
i goodie in the 1950s or early sixties
*nce fiction film fan became
i their choice of films. In the era of
"Close Encounters" it is hard to
originating from someone's armpit.
Not really a bad film, because
ript displayed a lot of imagination
le rough world of ice hockey, but it
One of the better pictures with low
cursing. Paul Newman shows his
le ice skater as well as a more than
iuth.
DE OF MIDNIGHT ? Somehow its
he idea of paying money to go to a
i soap opera. All the essentials were
a daytime spot on ABC's "Love in
? the handsome pilot, two lovely
I in him and the rich and evil man
anyone he wished to. The film had
i ?* _i? _ i?i ?
Lusieiess auornon scenes in movie
>T II: TIIE HERETIC ? Another
an all-star cast. "The Heretic" was
ek after it was released the studio
See BAD MOVIES, page 16
| banjo lessons. He hopes through
I the new organization to
I "acquaint bluegrass musicians
s . . .
he worst of the year ju
known that any si
film is purely ac
gives the word '<
-ds, the Oscars, useless slurs, vul
i before millions jokes to the filn
ly awards is to Gossett and anyon
' and to reward
1ms that are not KABII) ? Por
deserve a little acting role, and i
would have been e
by the film in- before the scie
3rst films of the sophisticated with
"Star Wars" and
accept a monster (
J BREAKING
e letdown after SLAPSHOT ?
m with Walter Nancy Dowd's sci
i explored the and insight into tl
gague baseball. was a crude film.