The gamecock. (Columbia, S.C.) 1908-2006, February 13, 1978, Page Page 10, Image 10
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Britton Andrew--THE GAMECOCK
A1 Lewis (top), Preston .
...Improvisation was
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lackson and Ernie Cagnolattf
the name of the game.
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SUt ni UAKOLINA
Columbia-Carolina Colisei
Mrt* February 1&-Steve Martin-Jc
I | Sebastian
March 25-Eric Clapton-Pla]
NORTH CAROLINA
PI Qreensboro Coliseum
r\ I March 11-Ronnie Milsau
March 12-Styx
March 17-Bootsy's Rubt
Band
March 18-Rush
March 26-John Denver
Charlotte Coliseum
PrACAl
JL J.VQVJ
excitin
By AMY SPIEGEL
Gamecock Staff Writer
Even though Mardi Gras is over,
festival air prevailed as seven mi
Preservation Hall Jazz Band perf
sday night at the Township Auditori
was sponsored by Cultural Series.
The leader of the Band, Manuel (
clarinet and was the force which di
* 1
vui ui men &ec?u> auu into me music,
the audience is devastating," the
and that it was because Crusto and
band played to and for the audiem
BIG DADDY AL LEWIS strumm
the banjo, quite satisfied playing
Lewis surprised everyone with his c
No Other 230 Pound Milk Chocola
wasn't the words that made the son]
The way the number was playec
partners and the audience alike.
Improvisation best described tl
original New Orleans form of jazz fri
brought forth with amazing clarity, <
Without any music from which to rc
of the band maximized the technic,
their instruments.
A ? At
/\s wun most jazz, there wer
Whenever a musician felt like doi
would confidently bring the microph
and start throwing all his feelings ii
instrument. Occasionally, Crusto w<
play, moving his fingers up and dov
his clarinet as if the keys were in
while, Louis Barbarin beat on his dr
rhythm for Crusto.
WHEN PRESTON JACKSON felt
to sing or play his trombone, he
Spontaneity was the outstanding chs
band's performance.
Ernie Cagnolatti shared his thou
voice and coronet,while Chester Za
bass and Sing Miller touched the i
Miller treated the crowd to one of
a love song, .entitled "I Done Ate
Tree." It concerned a man who w
come see about him while he was eat
of a magnificent tree. When Mi
lyrics, the band continued to plaj
fortable arrangement they had crea
they enjoyed the song as much as the
ACUW A I I *t .
I IHfi mciivmEK
at each other, to create a friendly
mosphere. Using solos, Miller, and
better improvise the ensemble woi
melody lines, performed mostly
trombone and clarinet, could be
greater exuberance.
February 17-ParliamentFunkadelic
jin March 3-Styx
March 11-Gino Vanelli
>hn
GEORGIA
/er
Savannah Civic Center
r eoruary 17-Mother's Finest
Slave
Fox Theatre (Atlanta)
>er
March 2-Art Garfunkel
March 24-Santana
March 25-Tubes
Great Southeast Music Ha
(Atlanta) ~
:vation d:
JL
g, entertj
the New Orleans
isicians from the bassist or pianist <
ormed last Thur- provisational path n
ium. The concert the musicians.
The band "Ra
"rusto, played the a while . Once the
*ove the audience panded their origir
?rr i i
x iic eueci upon auuicutc ue&ctn uiapj
program stated, of their seats to si
the others in the definitely got into tl
ce. The Preservation 1
blues numbers, but t
ied and picked at the crowd to clap the
for his crowd.
omposition "Aint
te Like Me." It FOR THEIR FIN/
g, but the music, all-time favorite, "\
1 excited Lewis' In." At first they pl<
audience acquaintec
leir style. The arose from his seal
Dm the 1910's was Lewis, walked dowr
^rder and appeal, played with the auc
*ad, the members collecting persons li]
al possibilities of ?
e some solos.
ing his thing, he tU audit
lone close to him, * * ine auaM
lto his respective , ,
ould stand up and beat, a
vn the register of
thin air. Mean- their feet to t
urns, keeping the
did C ?'o then brou
aid just that. started waving it. Ii
iracteristic of the doing the same thing
ghls through his rwesodeigh^ea;nf
? beat 'he listening lo
...Y,ou"? old sh?
aumeniic i\ew Urlea
the Whole Apple crowd did not matte
'anted his girl to From the crowd's r
ing the apples off this jazz should be I
ller finished the
r with the com- JAZZ HAS BEEN
ted. It was clear wiH continue to liv
audience. Preservation Hall Ja
music is the root froi
S would poke fun sprung.
and together at- The auditorium w
the others could hinder or bother the
k. Complicated would have played t
on the coronet, been empty. They 1
presented with night proved many <
reoruary 13-Elvin Bishop
February 14-Dave Loggins
February 15-16-Arlo GuthrieShenandoah
February 17-David Allen CoeMarshall
Chapman
February 18-19-Peter Allen
March 5-Freddie Hubbard
March 6-Yvonne Elliman
Municipal Auditorium
lAtlenM
February 25-RamonesRunaways
11 The Omni (Atlanta)
x i|p
roves I
lining I
During a solo, the drummer, p
irove the soloist down an im- If
tot originally planned by any of p:
mbled on for quite g
) memoers had comfortably ex- 6
lal intentions of a piece, the I
ping to the beat, and some got out I
tep to the music. The crowd 1
ie music. i
Hall Jazz Band performed a few |
he beat of most songs compelled 1
ir hands and stomp their feet. 1
ILE, The Jazz Band played the
When The Saints Go Marching
ayed a few choruses, getting the
I with the music. Crusto then
t and, along with Preston and
1 the stage stairs and literally
lience. Crusto marched about
ke the Pied Piper.
mce began clapping
r? H hpffun atom nin ct
?
he music.
ght out his handkerchief, and
nmediately many persons began
until it looked like the South was
The crowd was enjoying the
ollowed the drumbeat they were |
ired the music of one of the few
ns jazz bands, and the age of the
r for the music appealed to all.
esponse, it almost seemed as if
he new wave.
ABOUND for many years and it
e as long as groups like the
zz Band exist. For their style of
n which many other styles have
as not packed but that did not
players, because they probably
he same way if every seat had
ove their music, and Thursday
>ther people do too.
February 23-Nazareth-- I
Mahogany Hush?Sammy 1
Hagar j
March 2-Waylon Jennings and'
Willie Nelson-Jessi Colter
March 9-Emerson, Lake and
Palmer
Atlanta Civrc Center
April 15-An Evening with Randy
Newman i
1
FLORIDA
Jacksonville Coliseum
February 14-Leon Russell
February 24-Parliament-Funkadelic
February 26-Nazareth
April 5-David Bowie