The gamecock. (Columbia, S.C.) 1908-2006, February 13, 1978, Page Page 10, Image 10

Below is the OCR text representation for this newspapers page. It is also available as plain text as well as XML.

Entertain] k 4 JBjHHKB^KSffiP*^^ t^gsfey ^agi MHHBSUKXn Britton Andrew--THE GAMECOCK A1 Lewis (top), Preston . ...Improvisation was ^jUiiii i1 ii in i' iinii iiiiii?h>iiwniirnMiiHiiiiiii t imiib hum 1111 iii i 1111 mil i in i Concei _ _ 1 _ 1 caiena; L ment jhSk] 1.1 | Brltton Andrew-THE GAMECOCK '*" " jy&Kk.N wJ /fBS\^S?liL,' I^J^BI^J m Bk % i> jB m mi ^^S^CTBWSiH ^ k?HH|{ 1| Mb. |B&|| |> X" 3 m| lackson and Ernie Cagnolattf the name of the game. ?? - I SUt ni UAKOLINA Columbia-Carolina Colisei Mrt* February 1&-Steve Martin-Jc I | Sebastian March 25-Eric Clapton-Pla] NORTH CAROLINA PI Qreensboro Coliseum r\ I March 11-Ronnie Milsau March 12-Styx March 17-Bootsy's Rubt Band March 18-Rush March 26-John Denver Charlotte Coliseum PrACAl JL J.VQVJ excitin By AMY SPIEGEL Gamecock Staff Writer Even though Mardi Gras is over, festival air prevailed as seven mi Preservation Hall Jazz Band perf sday night at the Township Auditori was sponsored by Cultural Series. The leader of the Band, Manuel ( clarinet and was the force which di * 1 vui ui men &ec?u> auu into me music, the audience is devastating," the and that it was because Crusto and band played to and for the audiem BIG DADDY AL LEWIS strumm the banjo, quite satisfied playing Lewis surprised everyone with his c No Other 230 Pound Milk Chocola wasn't the words that made the son] The way the number was playec partners and the audience alike. Improvisation best described tl original New Orleans form of jazz fri brought forth with amazing clarity, < Without any music from which to rc of the band maximized the technic, their instruments. A ? At /\s wun most jazz, there wer Whenever a musician felt like doi would confidently bring the microph and start throwing all his feelings ii instrument. Occasionally, Crusto w< play, moving his fingers up and dov his clarinet as if the keys were in while, Louis Barbarin beat on his dr rhythm for Crusto. WHEN PRESTON JACKSON felt to sing or play his trombone, he Spontaneity was the outstanding chs band's performance. Ernie Cagnolatti shared his thou voice and coronet,while Chester Za bass and Sing Miller touched the i Miller treated the crowd to one of a love song, .entitled "I Done Ate Tree." It concerned a man who w come see about him while he was eat of a magnificent tree. When Mi lyrics, the band continued to plaj fortable arrangement they had crea they enjoyed the song as much as the ACUW A I I *t . I IHfi mciivmEK at each other, to create a friendly mosphere. Using solos, Miller, and better improvise the ensemble woi melody lines, performed mostly trombone and clarinet, could be greater exuberance. February 17-ParliamentFunkadelic jin March 3-Styx March 11-Gino Vanelli >hn GEORGIA /er Savannah Civic Center r eoruary 17-Mother's Finest Slave Fox Theatre (Atlanta) >er March 2-Art Garfunkel March 24-Santana March 25-Tubes Great Southeast Music Ha (Atlanta) ~ :vation d: JL g, entertj the New Orleans isicians from the bassist or pianist < ormed last Thur- provisational path n ium. The concert the musicians. The band "Ra "rusto, played the a while . Once the *ove the audience panded their origir ?rr i i x iic eueci upon auuicutc ue&ctn uiapj program stated, of their seats to si the others in the definitely got into tl ce. The Preservation 1 blues numbers, but t ied and picked at the crowd to clap the for his crowd. omposition "Aint te Like Me." It FOR THEIR FIN/ g, but the music, all-time favorite, "\ 1 excited Lewis' In." At first they pl< audience acquaintec leir style. The arose from his seal Dm the 1910's was Lewis, walked dowr ^rder and appeal, played with the auc *ad, the members collecting persons li] al possibilities of ? e some solos. ing his thing, he tU audit lone close to him, * * ine auaM lto his respective , , ould stand up and beat, a vn the register of thin air. Mean- their feet to t urns, keeping the did C ?'o then brou aid just that. started waving it. Ii iracteristic of the doing the same thing ghls through his rwesodeigh^ea;nf ? beat 'he listening lo ...Y,ou"? old sh? aumeniic i\ew Urlea the Whole Apple crowd did not matte 'anted his girl to From the crowd's r ing the apples off this jazz should be I ller finished the r with the com- JAZZ HAS BEEN ted. It was clear wiH continue to liv audience. Preservation Hall Ja music is the root froi S would poke fun sprung. and together at- The auditorium w the others could hinder or bother the k. Complicated would have played t on the coronet, been empty. They 1 presented with night proved many < reoruary 13-Elvin Bishop February 14-Dave Loggins February 15-16-Arlo GuthrieShenandoah February 17-David Allen CoeMarshall Chapman February 18-19-Peter Allen March 5-Freddie Hubbard March 6-Yvonne Elliman Municipal Auditorium lAtlenM February 25-RamonesRunaways 11 The Omni (Atlanta) x i|p roves I lining I During a solo, the drummer, p irove the soloist down an im- If tot originally planned by any of p: mbled on for quite g ) memoers had comfortably ex- 6 lal intentions of a piece, the I ping to the beat, and some got out I tep to the music. The crowd 1 ie music. i Hall Jazz Band performed a few | he beat of most songs compelled 1 ir hands and stomp their feet. 1 ILE, The Jazz Band played the When The Saints Go Marching ayed a few choruses, getting the I with the music. Crusto then t and, along with Preston and 1 the stage stairs and literally lience. Crusto marched about ke the Pied Piper. mce began clapping r? H hpffun atom nin ct ? he music. ght out his handkerchief, and nmediately many persons began until it looked like the South was The crowd was enjoying the ollowed the drumbeat they were | ired the music of one of the few ns jazz bands, and the age of the r for the music appealed to all. esponse, it almost seemed as if he new wave. ABOUND for many years and it e as long as groups like the zz Band exist. For their style of n which many other styles have as not packed but that did not players, because they probably he same way if every seat had ove their music, and Thursday >ther people do too. February 23-Nazareth-- I Mahogany Hush?Sammy 1 Hagar j March 2-Waylon Jennings and' Willie Nelson-Jessi Colter March 9-Emerson, Lake and Palmer Atlanta Civrc Center April 15-An Evening with Randy Newman i 1 FLORIDA Jacksonville Coliseum February 14-Leon Russell February 24-Parliament-Funkadelic February 26-Nazareth April 5-David Bowie