The gamecock. (Columbia, S.C.) 1908-2006, November 07, 1977, Page Page 14, Image 14
entertainm
Band not at fault
rau
mai
H\ SKOT (iAKItK K aboi
(iaiiiciock Staff Writer whil
with
A t remiere performance, an en- .. Li
thusiastic crowd and a mammoth sound of tl
system provided the elements for a good Spat
concert by Kansas Thursday night. whit
I lowe\ er, things went wrong because of a
faulty P.A. system. TI
Kansas gave what in most cases would was
he a superlative concert at the Coliseum, "Poi
hut the concert was marred by the noth
pitifully inferior sound system. albu
Throughout the entire night there was a Tl
const, it loud droning from the speakers. lous;
Kvc y song was a parody of distortion thus
and hedback. The speakers were con- was
stanth emitting various buzzes and that
groan which hardly helped heighten in C<
listen) ig pleasure.
Tl,. I,...*.]:* if - ?* r - - ?
i m iiiim Hstrii iu)i ui laun, ;is uicy 'I'll
gave, great show. It was unquestionable tair)
who vas in the limelight. Steve Walsh, for
Kobb\ Steinhardt and Kerry Livgren ious
doniii ited llie entire stage. Walsh, not c
vocal t and keyboard artist, danced whic
. _
Eingrionai p
H> 5AKKV .1. <;LKN\
As- . KnU'rlaiiinicnt F.ditor
1 iday night's performance of Columbia
l,\ c Opera's "Madame Butterfly" was a
su< ess in every way, singing as well as
on estral efforts.
" .e opening performance of Columbia's
op> a season began in style with Puccini's
ini mparable opera performed before a
lai .* crowd at Drayton Hall Theatre.
rol Stuart, soprano star of the I)es
;\i it's upera Festival, was outstanding in
tin title role, her voice reaching incoi
unable heights throughout the perfoi
ance.
once did Ms. Stuart taller as she
si. i'd extreme durability, remaining on
tin tage throughout most of the threeho
i performance.
Stuart was excellent with her
en ional portrayal of a geisha wife
on campu/
Lord; ihs 15 Ro^er I
i Since transfer/nq from I
/o . -r -r / I
cob Jones, X~'y?- Qof)e>
k' My best to wipe- out
$ 5/0. . . j ?.
XN '
n.
ent
Ity P.A. syi
rs Kansas s
it like an early sixties rock'n'roller, not enough
e Steinhardt merrily danced around
his electric fiddle. T1IK HIP
vgren was easily the most aesthetic bad band, bi
le band. This male answer to Sissy at least on*
. ek was clad in a loose robe of silk every song.
:h could never seem to hold one color. really enjoy
an endless i
IK MAIN PORTION of the concert fast.
devoted to the new Kansas album, The best
int of Know Return." There was (x-eurrpri wl
ing wrong with this, as their new came forwu
m is their best effort to date. original has
le crowd hardly seemed to notice the The low s
y sound equipment and were en- formancew
iastic the entire night. The Coliseum through the;
almost packed to capacity; it seems an emulati
Kansas has a rather large following Palmer's s]
itlumhia. "Toccata,"
than synthe
ie Atlanta Khythm Section did a Despite tl
y good job at wanning up the crowd inadequate
the appearance of Kansas. The performanc
ing rock 11' roll stvlo of iho IwnH i< ?? i
w v -- -- OIUI1IIIU1 Ul I
luite like the heavy progressive style
h Kansas has, hut the difference was
erformances1
waiting for the return of her very un- Harry (
serious navy lieutenant husband, B.F. charactc
Pinkerton, played well by Gene Ferguson. causing
The anguish Madame Butterfly goes his char
mrougn wnen siie learns of Pinkerton's his voic(
remarriage was portrayed well in the face Riehai
and voice of Ms. Stuart. pressive
Ferguson, as Pinkerton, was very bent 01
emotional in his performance, his voice Pinkerto
squeaking intentionally at times to display authority
the anguish felt by his character.
Donald Gray, as Pinkerton's assistant, Treme
Sharpless, was convincing, trying to talk orchestr.
sense into Pinkerton and at the same time Moody,
offering solace and hope to Madame moods o
Butterfly. halfway
Evelyn McGarrity as Madame Hut- opera be
terfly's maid also gave a performance lack of ;
?uu a vuitt- iuii i)i emotion. Mie and Ms. perform;
Stuart combined their vocal talents in a The I
beautiful duet in the second act, which was vocals ii
one of the highlights of the evening. heard oft
Goro, the marriage broker, played by as Mad
X'/e- horded r>ut fracas No
all over U S.C dnd -]_ t
| Kepi mv room mafr Cf&
fro playing fas o/ei/c. . C1//
Msrfiry ?,?. p
album. AXU
stem |
>IIUVV H
to really ruin the show. |Si||||lg
k'TIIM SECTION was not a |j|Mg
Lit they had a habit of putting
; five minute guitar solo in
While a good guitar solo is
able to listen to and watch,
>tream of them becomes old
part of their performance
len their chubby little bassist
i u uiiu guvt u dimming UUU
1S so'?>pot
during the Kansas per- |?ll?illl
as a drum solo alx>ut midway
ir act. The solo seemed to be
on of Emerson, Lake and
/nthesized percussion piece,
but came off as little more
sized noise. ||g|||gy
ie deplorable drum solo and IsHBH
1 sound system, Kansas'
e was still quite entertaining.
t>egan bis singing by merely Lead sing<
calmly sings
See KANSAS, page 15 Thursday ni{
enhance "Bi
?urdwell, was a rather comical overnigh
?r, continuously sneaking around gentle bl<
havoc. Cardwell's voice matched darkenin
acter's personality perfectly, as made th
i sounded full of slyness. pressive
d Conant made a short but im- The set
appearance as the geisha's uncle, designee
1 stopping her marriage to backgroi
n. Conant's deep voice had correspoi
/ on the stage. each scei
were con
ndous credit must be given to the Althou*
a, conducted by Dr. William J. lacking s
The orchestra established the voices be
f the scenes well. More than in th<>
through the first act, when the The res
gan to drag slightly because of a extreme I
action, the orchestra picked the notlhesli
mce up to a worthwhile standard. in Knglisl
ISC chorus provided excellent from hot I
1 the opening act and could be The la
stage at the end of the second act Butterfly
ame Butterfly maintained an Drayton
oft"*,Lord, y mpll
eiuli] Oofrk yoo wadi't -titer!
someone, as 1^X*X'
/ as Stc^e Martm . ?r Ko
x jp
n
<? I
Richard Vogel THE GAMECOCK
jr Hobby Steinhardt of Kansas ^
a tunc in the group's concert last
?ht.
utterfly'^j
t vigil for her husband. The 1
ending of voices offstage and the
g blue background of the set
is scene one of the most inv
of the evening. (| 1
s for the performance were well1,
particularly the blue
und which changed shades
iding to the time of day used for
le. The lighting techniques here
amendable.
?h the diction of the singers was
omewhat in the first act, their
came clear and understandable
L'ond and final acts.
;uiung product was an opera of
>eauty and talent. Opera goer or
iow was enjoyable because it was
li and much talent was displayed ,?
i the singers and the orchestra. *
st performance of "Madam*
" is Wednesday evening at H: lf> at
Hall Theatre.
/
D\/ /^l r-? - ?
i->T vaLtlMN HAWLS
# L- \
*
t #
u-u-flp fHe! iii
^ ycujr pQrdo^ /S\c? .
ATT1
\ t'
*
"Broil