The gamecock. (Columbia, S.C.) 1908-2006, July 28, 1977, Page Page 13, Image 13
Albums
From page 12
is their ability to switch from one
musical stvle to artnthpr u/ith tho
greatest of ease. "How Late'll Ya
Play Till" contains four rock
songs, three bluegrass tunes, four
blues songs, five ballads, and one
ragtime tune. People who are fans
of Bromberg's work in the past will
be pleasantly surprised with
David's improved voice. Bromberg
even expresses thanks to his
vocal coach in the list of album
credits.
What seems so incredible about
the Jew from the Bronx, is that he
is capable of performing bluegrass
mnsip as wpll as Purl .Qtnrv PqpI
Scruggs or any other southern
Baptist guitar twanger. "Get Up
and Go -Fiddle Tunes" is a combination
of one original Bromberg
tune about the pain of being
dropped by a woman and a medley
of five classic fiddle songs. The
combination comes off with style
and grace.
ChinAnl
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July 30, 1977
ConqRAtulations
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Uncensored!
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$1 with U.S.C. ID
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FRIDAY
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THE MOST MEMORABLE song
on the LP is Bromberg's version of
Willie McTell's "Dyin' Crapshooter's
Blues." The powerful
horn section consisting of John
Firmin, Curt Linberg, and Peter
Ecklund brings back memories of
the old Dixie Land funeral marches
down Bourbon Street. Dr.
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guest appearance on this cut,
adding incredible honky-tonk
piano.
The live record was recorded at
the Great American Music Hall in
San Francisco which is the west
coast's answer to Atlanta's Great
Southeast Music Hall. As on
Michael Stanley's album, the
sound quality is exceptional. Here
Bromberg performs a tune called
"Bullfrog Blues," which includes a
thirteen-minute ad-libbed story
about Bromberg coming home only
to find his girl friend and his best
iriena maKing love in his bed.
smatic arts
presents
fman and John Voight in
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10 TILL 10
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David is about to put a bullet
through the girl's head when "she
cocks an eye at you, and you cock
nn pvp at hpr anH fho him nf ?ah
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stand there cock-eyed for twenty
minutes." The other blues song
contained on the two live sides is
"Will Not Be Your Fool" which
features Bromberg at his best
guitar work.
BROMB ERG'S TALENT
matched with an equally talented
band creates music which should
not go unnoticed. All three of the
albums mentioned here have one
thing in common; they are all fun.
All thrPP flrP lin hoat hioh tonnn/1
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packages containing work by some
of the most talented musicians
around today. The music is clean,
well produced and truly enjoyable,
and will most likely remain unnoticed
until top-40 radio
overexposes it and it becomes
mundane like everything else we
have been exposed to. We must
take advantage of the music offered
to us now by these people.
fM- * *
mey are noi reai money makers,
and considering the fact that
record labels drop non-money
makers, they may not be around
too much longer.
Experience is the name
everyone gives to their
mistakes.
--O. Wilde
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Dentsville^^ II
Near Columbia Mall |?
6033-2 North Rd ?j
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Capsules Fromp?Be,2
THE SPY WHO LOVED ME ? SU?P<
Another James Bond adventure cnm
that has Bond (Roger Moore) Poss
cooperating with a beautiful c m
female Russian spy to solve the ^is ?
puzzle as to who is stealing their to se
government's nuclear submarines. v
Spring Valley. ^re
men
bnck
STAR WARS ? Directed and drill
written by George Lucas, this film awa>
gives us a faraway, exotic en- tram
vironment for our imaginations to nitro
run free. "Star Wars" becomes a extin
$3 space fantasy that transports paid
the viewer faster than the speed of orde<
light from Columbia to the outer job?
limits of the universe. The entertaining
plot follows young Luke TH
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traordinary intergalactic rescue of base<
a kidnapped rebel princess, love,
Philosophically, the qualities that ween
stretch across the social con- Wash
sciousness of the universe serve as The !
inspiration in "Star Wars'- Fran
Spring Valley and Columbia nocei
East. influ<
millii
on th
THE ISLAND OF I)R. MOREAU Larr
? Based on a H.G. Weiis novel, this Mira
is a mediocre formula horror film
that lacks any comprehensible or or
creditible statement about T
mankind's attempts to alter Harr
natural laws. Jefferson Square whal<
by b
SORCERER ? Director William etc. '
Friedkin's masterpiece of an(j |
1 A
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fa
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needed during break and
See Bill Fitzpatrick, adv. m
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?| needed during break. Exp
??j See Karen Woo ten, prod.
pi This is your golden
I Room 311, Russell H<
?nse and fatalism about four
inals fleeing their pasts but
essing no futures. Each
inal escapes the penalties of
wn society only to be destined
rve a life sentence in a living
vhere the four men think they
concealing themselves from
pasts in a South American
water village. When an oil
explodes two hundred miles
juui men are needed to
sport by truck volatile
glycerin to the drill site to
guish the fire. They will be
$40,000 if they survive the
*]. Guess which drivers get the
Jefferson Square afternoons.
E OTHER SIDE OF MIDIT
? A romantic melodrama
i on a bestseller. A story of
revenge and power set beti
1939-1946 in Greece, Paris,
lington, D C. and Hollywood,
heroine Noelle Page (Mariece
Pisier) rises from an inrct
girl in Paris to become the
ential mistress of a Greek
onaire in order to get revenge
e only man she has ever loved,
y Douglas (John Beck),
cle Theatre.
CA-THE KILLER WHALE
his fish story has Richard
is spearing the mate of a killer
e, and the fish seeks revenge
? -m i ?
mug uii legs, sinKing snips,
rhe film has met with laughs
bad reveiws. Palmetto.
)
m n
ILL
k for |
zlrLM.
, valuable bucks!
xUMilli.
for fall semester,
anager
Lumit>erience
preferred.
111 u i iuyt'1.
opportunity!
3use, 777-7181