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early days of filmmaking, filrr
?d viewers with an escape from
smselves. These genres ? the '
r, samurai, space taniasy and w
?e us to romanticize envir
erent from our own, perhaps cen
lture, where good always trium|
hero always arrives in the nick o
a troubled society or damsel in
nviable fate.
ires usually reassert values i
(to obtain because so few people
>uch as honor, bravery in the
y and compassion for others, fri
; for the salvation of others and
ig, supreme being.
:E Fantasy genre is one of the ol
sly used of the escapist gem
because of the decline
reason or another, it
comeback, possibly bea
1 genres vehicle to create fanta
reality, realities or to reaffirm
western, The format of the sp
ar films among escapist genr<
onments protagonists to become
turies in other worlds that hav
phs over meddlings of humans be
f time to remains for filmmak*
/4ir?4 n t
uiaucaa numanoias on omer pu
made an increasingly
nankind mess of our own earth, w
possess or comic strip or TV s
facc of worlds."
endship, In the 1930s and 40s wt
faith in Rogers to relieve us of tli
and war. "Forbidden PI
help us overlook the p<
Idest but "Star Trek" in the 60s
es. Yet c
? ?O" ^
of the other genres for one
appears to be making a
ause our society still needs a
sies to escape life's harsh
basic human values.
>ace fantasy film is unique
es because it allows its
! involved in the affairs of
e not been graced by the
fore. As one critic wrote, "It
;rs to restore dreams of
anets, other moons. Having
oppressive and unwizardly
e find much relief in any film
erial that conjures up other
; had Flash Gordon and Buck
le anxieties of the Depression
anet" type films in the 50s to
>tential of nuclear holacost;
upholding the ideologies of
ee STAK WARS, page 10