The gamecock. (Columbia, S.C.) 1908-2006, April 01, 1976, Page Page 8, Image 10
Classics
numerous amusing situations
leaves the viewer in a state
of laughing hysteria.
High Sierra (1941), to be shown
April 14, was the film that changed
Humphrey Bogart's career and
boosted him to stardom. Bogart
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conceived performances as "Mad
Dog" Earle. a sensitive gangster
who is busted out of prison after
eight years by his former gang sc
that he can mastermind the big
holdup they are planning.
While making preparations, he
falls in love with a young girl (Joan
Leslie) with a club foot who will
eventually be his undoing. As one
critic stated, "High Sierra is the
saga of a man marked out for
death by an extrinsic fate, and thus
is living cut his death in his life. In
that life, he sees what other dying
men see; those close to him
gradually fall away, the inevitable
darkness approaches. The last is a
Malrauxesquemoment: Roy Earle
gives meaning to his life by insisting
on individualizing his death,
in the end a man's only true private
reserve."
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From Page 7
James uagney stars in a classic
crime drama in White Heat (1949)
on April 18 in the theater. In one of
i x a 1-- *- - *
i ins lust, anu surety nis Desi,
1 gangster pictures, Cagney porl
trays Cody Jarrett, a dangerous
killer with a psychopathic ob'
session for his mother.
i rrom nis nrst virtually unmotivated
murder of a witness to a
train robbery, to his seizure of
> convulsive rage as he learns of his
[ mother's death, to the cosmic
paranoia of his own fiery, suicidal
t death atop an exploding oil tank, it
i is clear that Jarrett has a
[ derangement of immense
proportions.
Haoul Walsh directed White Heat
while Max Steiner provided the
musical score and Virginia Mavo
and Edmond O'Brien the supporting
cast.
There are other excellent movies
on the Cinematic Arts Committee's
remaining schedule that should be
seen, whether for a diversion,
relaxation or the gratifying contentment
of having viewed some of
the finest films of Hollywood's
greatest vears
*/
Gnat Swim, 9kc.|
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JHAWiKS
Llll/ (J
1300 ASSEMBLY
Entertain
Arthur Knight, author of
Playboy magazine's Sex in the
Cinema series, will lecture at 8
p.m. today in the Campus Room of
Capstone.
Sponsored by the Russell House
University Union's Ideas and
Issues Committee, Knight will also
answer questions at 1 p.m. in the
Russell House Theatre.
His presentation includes more
than 45 minutes of film clips.
Knight discusses the historv of 9ftth
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century America from Thomas
Edison's The Kiss (1896) to Deep
Throat (1972).
The film critic deals with censorship,
freedom of expression,
pornography in the arts, the courts
and film as a barometer of
changing American mores.
Andrae Crouch and the Disciples
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| 9 Isex in
| I IM ilhu
|| la film
1 j ANEW LINE PRESI
| 1:00 QncNtii
V 8:00 Film
i
ment brief
Township Auditorium. As one l
magazine wrote, "Crouch's music |
takes gospel a step closer to pop I
than Edwin Hawkins has and does l
it without having to go to the '
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riayuoy ^iuu to una nis auaience. ;
It is polished, professional and ;
utilizes harmonic structures and '
rhythms previously foreign to ]
gospel." (
At 2 p.m. Tuesday in the Russell
House Theatre the German Club
will present Hangmen Also Die.
Directed by Fritz Lang, and based
on the script by Bertolt Brecht, the
film deals with an underground
resistance movement during the
Nazi years. The hero, active in a
group which is planning to overthrow
the Nazi rulers, endangers a
Jewish family by hiding in their
house.
i
The University Union Con
\
r knight
's"Sex ih the Cinema series)
i (he cinema
Med history
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A
ENTATIONS
THURSDAY, APRIL ]
>n Answer ScsNlon,
-Lecture, Cnmjtus Roon
presented by
RHVl ldeus and IsNuei
temporary Sounds Committee will
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the Colored People from 4 to 7 p.m.
today on the Russell House Patio,
rhe rain location will be the Golden
Spur. The Colored People are an
aggregation of Atlanta musicians,
rheir music will include soul,
Latin, Hawaiian, African and
athers.
The University Union Cinematic
Arts Committee will present
Federico Fellini's Amarcord in the
Russell House Theatre Thursday,
Friday and Saturday nights at 7
p.m. and 9:30 p.m. for $1. Amarcord,
which won an Academy
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nwcuu as nesi r oreign film of
1974, is Fellini's childhood interpretation
of life in a coastal
Italian town.
I I
R-H. Theater /
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