The gamecock. (Columbia, S.C.) 1908-2006, October 13, 1975, Page Page 10, Image 10
entertainm
Ballet de Colombia
at Township
A member of the Ballet De
Colombia exhibits a sample of
the stylized choreography and
colorful costuming which
mark this South American
dance company. The group
will be presented Wednesday
in Township Auditorium at
8:15 p.m, Prices are $4 for
adults and $2 for students.
Quasi
Coser
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USC -German Club
begins film series
By DUNCAN MANSFIELD
3amecock Staff Writer
The USC German Club is sponsoring a classic German film series to
be shown at 2 p.m. each Tuesday at the Russell House Theater. The
rilms are free to all students and faculty.
Brad Wehler, German Club president, said the series is intended to
give students an "afternoon film diversion." The films will be "easily
accessible to most students," he added.
"We (the German Club) hope that the series will give people a
knowledge of the culture of the German-speaking nations," Wehler said.
The five-film series opened last week with a presentation of Fritz
Lang's Metropolis. If the series is successful this semester, the German
club will sponsor a 12-film series next semester.
The series schedule for this semester is as follows:
Oct. 28 The Blue Angel (1930), Josef von Sternberg's second sound
film, is considered his best. It is a Circe story of a bewitching lady, the
night club singer, Lola Lola (Marlene Dietrich) who steadily turns an
orderly, almost lifeless school teacher (Emil Jannings) into a beast and
a buffoon:
Nov. 4 Vampyr (1931) directed by Carl Dreyer. A young man tries to
rid his region of a vampire who has taken the form of an old woman in
one of the first horror classics of the sound era.
Nov. 18 M (1931) directed by Fritz Lang. The film is part of Lang's
distinguished adventure film series (including Doctor Mabuse and
Spies) about the activities of gamblers, murderers and spies. Lang's
use of asynchronous sound in M of echoing screams, the ironic use of a
Grieg tune, heavy breathing and contrasting silence pervades the
ambiance of this classic.
Dec. 2 Threepenny Opera (1931) is G.W. Pabst's cinematic adaptation
of Bertolt Brecht's masterful play about the street-life of a sleazy
beggar's London. Brecht sued Pabst for corrupting his play, for
changing his antiromantic, and anticonventional theme. Pabst turned
the play into an ordinary boy-girl tale. But Pabst's version has merit in
the director's excellent use of visual effects.
All films will have English subtitles.
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