The gamecock. (Columbia, S.C.) 1908-2006, July 24, 1975, Page Page 6, Image 6
Professo
With '
BY MARIAN E. DILLASHAW
of The Gamecock staff
The carpet glided mysteriously
through the air, rippling with the
wind. As the eyes of the spectators
followed the undulating mass
floating above them, the onlookers
could almost imagine a turbaned
Arabian guiding his billowy magic
carpet to unknown worlds of
treasure.
Such might have been the
thoughts of the residents in
Coventry, England, as they wat
ched "Sky Carpet," one of the
designs of atmospheric sky
- sculpture created by Professor
Howard Woody of USC. But
something was different: this
magic carpet was made of
metalized mylar with six tubular
pockets of helium!
Woody has recently returned
from a six-week exhibition tour of
Great Britain where he was invited
to introduce his unique at
mospheric sky sculpture.
Beginning in May in Coventry,
England, the tour consisted of 10
different events of 14 "flights"
each.
The structures were constructed
at his home in Columbia snd then
sent separately to England.
Professor Woody also took
documentation films and
photographic map boards of
previous flights. The exhibition
opened at Herbert Art Gallery in
Coventry.
According to Woody there was at
first a misunderstanding about his
atmospheric sky sculpture. It was
thought it would be similar to
helium balloons and there was
worry about it being hit by a plane.
The launchings took place
mainly in the parks and open
country because of the heavy air
traffic of the cities.
The exhibition caused quite a
commotion in Coventry. With the
newspapers on strike, most of the
residents were unprepared for the
curiously-shaped, metallic objects
seen flying above them. The police
headquarters and the Coventry
Airport was flooded with calls
reporting the sighting of UFOs.
Some of the sculptures landed in
pastures and were removed by the
farmers to keep the cows from
being frightened.
According to Woody, the reaction
to the unusual flight sculpture in
Great Britain was good. It was a
new experience for them. The
residents in the parks and on the
streets were interested and eager
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r Amazes ]
Sky Sculp]
to assist Woody in holding the
sculptures until they were ready to
be released.
Atmospheric sky sculpture is a
general term for flight sculpture
which is a unique development of
Woody. Referred to by Woody as
an "aerial ballet," it is a type of
sculpture to be flown in the sky.
Each sculpture is assembled,
flown one time, and then
destroyed. The "lighter-than-air
sculpture" is made of mylar, a
plastic cellophane which is .0005 of
one inch thick. The seams of the
sculpture are heat sealed and each
unit has a helium-filled envelope
which gives it lifting power. Once
constructed, each unit is slid into a
cloth-like storage tube until ready
to be released.
The several units of the sculpture
are tied together to form a par
ticular design or "flight." In an
abstract manner, each design has
a system such as a linear or
hanging system. Because Woody
is concerned with motion not
shape, he's more interested in
simple shapes which will not
detract from the motion of the
sculpture. At ihe mercy of the
wind, the flight sculpture uses all
the conditions of the atmosphere.
The air pressure and temperature
lets the helium expand which
causes the envelope to burst. The
sculpture floats upward slowly as
the helium escapes. After thirty
minutes of upward flight, the
sculpture levels out and begins to
slowly descend.
His first outside sculpture used
wire and balloons. Interested in
what the design would be if it were
loose and free, Professor Woody
released his first sculpture and
became "excited about the
tranquil, natural, lyrical motion"
of the sculpture.
Woody refers to his atmospheric
sky sculpture as an art "event"
rather than an art "form." And it
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England
tures"
is quite an active event. After first
informing aviation authorities and
airport officials of his plans and
receiving their permission, Woody
then finds a clear open area to
launch his flights. The launching
requires the help of about twenty
assistants and it takes ap
proximately an hour to prepare for
the release. Each flight is tracked
by a plane, which with the aid of
walkie-talkies, keeps in contact
with the artist on the ground. The
sculptures have flown more than
12,500 feet high and the longest
flight covered 60 miles in ap
proximately two hours. The
longest flight of a sculpture made
of ballouns and mylar streamers
was 400 miles in less than 17 hours.
Woody began developing his sky
sculpture in the late 1960's, laun
ching his first flight in early 1970 in
Kansas. He has launched flights
from Washington state to Arizona
and in this section of the country.
In the Columbia area he has put on
an exhibition for the Columbia
Museum and at Bell Camp in
October, 1973.
Born in Salisbury, Md, and
raised in Roanoke, Va. Woody has
been on the USC faculty since Fall,
1967. He came to USC . from
Pembroke State University in
North Carolina where he had been
teaching since 1962.
Originally concentrating most of
his time on bronze casting, Woody
now works full time with his at
mospheric sky sculpture. He has
also allowed the students at USC tv
explore sky sculpture which he is
still developing. This summer he is
spending his time writing a book in
which he will compare the patterns
f different designs under varying
atmospheric conditions.
Commenting on the favorable
reception his flight sculpture has
received, Professor Woody says,
"It does not have the restrictive
non-touchable characteristics
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Sky Ca
USC Professor Howard Woody's
England. Woody introduced the
found in museums."
The availability of the sky
sculpture to any interested viewer
is limited. Stressing that the event
is of limited duration, Woody ex
plains, "Although I have both some
'new sculpture' and 'reclaimed
to the B
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rpet
"Sky Carpet" flies above Coventry,
new art form there recently.
sculpture' in my studio, to see the
art 'form', one has to be at the
event." Although he has no
specific dates for his next event,
Woody is anticipating a flight as a
demonstration for new students
this fall.
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