The gamecock. (Columbia, S.C.) 1908-2006, April 07, 1975, Page Page 5, Image 5
Earth,
BY CHUCK CROMER 0
Entertainment Editor c
There appears to be a new F
generation of black music that has ii
become popular around the E
country the last few years that
could symbolically be termed t4
"Black Soul Rock." v
Varying somewhat drastically b
from the traditional soul most of us s
have known in the past that em- p
phasized a rhythmatic vocal s
harmony with a minimal use of
instrumentation, black soul rock tj
makes a point of centering on the m
instruments, but never tries to b
dominate the vocalists. f4
Thus, the music tempo is much V
quicker and louder, allowing for e
lengthier arrangements where the b
performers may display a great p
deal of their musical experties, if b
they have any.
Whether the traditional soul a
artists like James Brown or c
Marvin Gaye can be replaced by d
this- new music is still un- IN
determined, yet there is little doubt p
they feel the competitive threat to
their positions. u
Some of the more famous names a
mRu
TUESI
APRI
saaD IN NE R
Wind a
f this Black Soul Rock genre in
lude the Ohio Players, B.T. Ex
ress, the Commodores, Billy
Ireston and the band that played
i Columbia Saturday night,
arth, Wind and Fire.
From the beginning, it was easy
> see the planning of the concert
ras pathetic. Major Harris, the
ackup band for the first act, was
till having a sound check at 7:50
.m., just 10 minutes before the
2heduled showtime.
The tape system aired during the
iirty minute intermission bet
'een sets was quite ill-conceived,
eing a totally white oriented tape
!aturing the Who and Elton John.
lith about 95 per cent of the
stimated .;,000 in attendance
eing black, one might have ex
ected to hear a tape filled with
lack artists.
With only half the crowd having
rrived, the concert finally
3mmenced when a local radio
isc jockey, Bobby Z, introduced
[ajor Harris and his band at 8:30
.m.
Major Harris is a relatively
riknown entity around Columbia,
rid judging from his performance
DDE
SEA
PLA
FRIEE
FRII
FILl
lAY
LB8
rid Fire
before a less than appreciative
audience he'll remain that way. c
With three-part female harmony ti
and a backup band that showed a
anything but enthuriasm, Harris e
ran through about five numbers off n
his Atlantic album, My Way. c
Their musical format was too ti
predictable with Harris' untrained
voice singing slow-paced numbers g
"Loving You Is Mellow" and t]
"Wishing I Still Had You." After 'I
Harris' last number the audience n
applauded his departure with a si- r
gh of relief. c
A thirty minute intermission v
ensued before the next band was
scheduled to play, during which I
almost fell asleep. At 9:30, I was
aroused out of my slumber by what
seemed to be a Black Muslim
Priest who introduced Earth, Wind
and Fire amid smoke and flames
on the front of the stage.
With a bang of a huge gong and
an explosion of smoke the nine
piece band that featured four
percussionists, two guitars, bass,
one keyboard player and a ver
satile brass man, made their ap
pearance with a s)iort instrumental
opener.
FOOD
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ED SCALLOPS -
.ET OF FLOUNDER Mg
USH PUPPIES
tENCH FRIES
)LE SLAW
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INS Sanvuca
enterti
storms
Earth, Wind, and Fire has t
eated a name for itself through t
ht instrumental arrangements,
highly energized stage show, e
cellent vocal harmonies and r
usical diversification. All were c
mbined Saturday night to make o
em a delight to see and hear. s
Earth, Wind and Fire gave a t
od performance that exemplifies b
is surging trend in black music. fi
ie first half of their seventyt
inute set was dominated by three s
ther lengthy numbers that in- fi
uded "Drum Song" and "Evil",
ith assorted short selections from
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heir last three albums in
ermingled in the montage.
This long first set was a perfect
xample of black soul rock. The
umbers were mostly intrumentpl,
hanging from a fast to a slow pyce
n the tempo of the flute And
axophone. Vocals at this point of
le show were secondary to the
reathtaking panorama of nine
nely-tuned musicians.
The keyboards player and
axophonist were a continuous joy
>r me as they could belt out the
Continued on Page 6
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