The gamecock. (Columbia, S.C.) 1908-2006, March 06, 1975, Page Page 9, Image 9
D~avid Carradine, of Kui
at Dutch Square. On M
Carradine's visit to USC.
The ultini
exposed ii
BY TERRY DUGAS
Of The Gamecock staff
"While the city slept last u
that great scourge of man!
pornography, crept in -and
away the morals of our peop
This was the opening sentence
review I wrote on June 14, 1
The city still sleeps, the moral:
still stolen, and "High Rise
back at the Atlantic II Theati
"Reviewed in such prestig
publications as 'Variety,''
thouse,' and the 'Naked News,
concensus has been that 'I
Rise' is the best produced and
skillfully done sex flick eve
grace the smut houses of New'
City.
"'High Rise' makes no pret
at being 'art.' The produceri
out to make a superior porno
and they succeeded admiralt
The plot is unimportant since
viewer sees the crew preparlaj
each shot. The effect is on
viewing a porno film in
making.
"To keep the viewers intel
the produers use strikingly un
camera shots, (ever seen
nilingus performed upside dow
in bizarre sets, coupled with a 1
funny musical score ("I've I
bitten by the kissing bug"). Shi
perfect color and focus, often f
a distance of three inces,
Russell Jeffcoat
ig Fu fame, stars'in "You and Me"
onday, Chuck Cromer will review
Late .porno
a town agam
result is interesting, both from at
erotic and a technical standpoint.
The end result of 'High Rise' is t<
reek, show that pornography can rise
rind, above the 'Deep Throats' of th<
stole genre and have class as well a:
le." sex."
of a Every word of this review i:
73. true, "High Rise" is still the bes
are porno film ever made and one o
"is the funniest movies I've ever seen.
e. Since that summer, Columbia hai
:ious seen such masterpieces of erotica
Pen- as "Flesh Gordon," "The Devi
' the and Miss Jones," "Score," an<
digh "Fulfillment," starring thai
nost anatomical wonder, Johnny Wadd.
r to No one, however, has offered t<
(ork blame Columbia's crime rate or
this plague of explicitness.
ense What is baffling to me is how the
set citizens and officials of Columbia
film can become outraged over a peer
ly. show like "Last Tango In Paris,'
the or even the real thing like "Devil Ir
for Miss Jones." "High Rise" has
e of played in Columbia ovet five times
the and not been shut down, although it
would be ruled obscene by ar~
est, Southern judge. If this should
ique happen, though, I will glad ly testify
eun- that, being the definitive satire ogi
n?'), pornography, "High Rise" oc
very cupies an important place iir
been cinema history.
t In Meanwhile, grab your raincoats
rom and run because the last day to see
the the film is today.
Movies
Allen 14
BY CHUCK CROMER
Entertainment Editor
SLEEPER--Written, directed,
produced, and starring Woody
Allen. Woody Allen wakes up after
a one hundred year deep freeze in a
future society where physical love
is outlawed. Why? Only the nose
knows for sure. Diane Keaton
costars. Thursday and Friday
$1.00.
THE GREAT DICTATOR--One
of the more famous and probably
the most controversial picture that
Charlie Chaplin ever made, that
satirized Adolph Hitler and his pre
war Nazi Germany. Chaplin plays
the dual role of Adenoid (Adolph)
Hynkel and a bedazzled Jewish
barber. Chaplin was severely
crificized for the so-called "pseudo
'Lenny' lik4
BY SAM L. IRVIN, JR.
Of The Gamecock staff
"Lenny" is, without doubt, a
very good motion picture. It is
directed by Bob Fosse who also
made the excellent "Cabvret", still
his best production. There are
obvious similarities between the
two movies; both are biographies
of performers, both show the
decadence of society.
It is easy to make comparisons
since "Lenny" is playing at the
Fox Theatre downtown and
"Cabaret" will be playing at the
Russell House Theatre March 27
28. Where "Cabaret" was handled
as a straight story, "Lenny" is
done almost as a documentary.
The action is interrupted every few
minutes to show interview
comments made by the charac
ters, presumably in the present
day.
"Lenny" is shot in black and
white, a technique which, in this
instance, does little more than
draw attention to itself. The
presumed reason for doing it this
way is to symbolize our
"colorless" society and the drab,
harsh life Lenny Bruce led.
This does not work as well as it
tshould. It seems to be a fad among
Hollywood directors to do their
films in black and white for
symbolic reasons. Peter
Bogdonavich made "The Last
Picture Show" in black and white
to emphasize the drabness of the
town, and it worked only to a point.
"Paper Moon" was shot without
color, and the film suffered. The
only recent motion picture
enhanced by colorless film is Mel
Brook's "Young Frankenstein".
"Lenny" would have been more
enjoyable in color.
Dustia rloffman gives a superb
performance as Lenny Bruce, the
comedian who was punished all the
way to the grave for using "ob
scene" language in his
monologues.
This is one of the few films
Hoffman has had a leading male
role all to himself. "Midnight
Cowby'', "Papillot'' and the
upcasning "All the President's
Men" feature equalty-important
male roles filled by the likes of Jon
Voight, Steve McQueen and Robert
entert
>oks at futi
communistic theme" of the pic
ture. Sunday.
SPIRITS OF THE DEAD--First
we had Black Sabbath, narrated by
Boris Karloff. Now Spirits is here
with Vincent Price narrating three
separate tales of suspense, horror,
and tragicomedy. Brigitte Bardot,
Jane Fonda and Peter Fonda star.
Also, believe it or not, Frederico
Fellini directs one of the episodes.
Monday.
SABOTAGE--An extremely
obscure Alfred Hitchcock movie
produced in England in 1937, the
plot centers around a young boy
who is unknowingly carrying a
concealed bomb through the
streets of an English city. Watch
for the explosive results. Tuesday.
FROM HERE TO ETERNITY
Excellent film of army life in
'Cabaret'
the center of attention this time,
Hoffman's portrayal is his best to
date.
Hoffman does have female
Valerie Perrine, who plays a
stripper who marries Lenny.
Perrine is causing quite a sen
sation in the industry at the
moment and, therefore, one ex
pects a brilliant performance. She
is quite good, but certainly not the
supreme artist all the publicity
claimed. Her first appearance in
George Roy Hill's "Slaughter
House Five" was totally unim
pressive. She has vastly improved
since then and is now a beautiful,
talented actress. Just don't expect
too much.
Gary Morton, a veteran
producer and Lucille Ball's
husband, makes a rare acting
appearance in "Lenny" as famous
comedian. He is very good as is the
rest of the cast.
The technical side of the film is
impressive. The editing, in par
ticular, is remarkable. There is no
music score, and this is a mistake.
With music the film would have
been more moving. As it is, the
story is tragic and very real, yet no
lumps are raised in the throat.
The only people in the audience
displaying any emotion at all got
immature thrills at hearing four
letter words.
Because Lenny Bruce is such a
powerful figure, one does not come
out of the theatre unaffected, but
music would have made a world of
difference in magnifying audience
reaction. With deft use of music,
one can manipulate feelings for a
scene. "Lenny" needed a little
manipulation.
In retrospect, it is clear Fosse
experimented with several
unorthodox methods of film
making: documentary format, no
color and no music. But audiences
are accustomed to a few con
ventions, whether right or wrong.
With so many oddities in style,
muchi of the impact "Lenny"
should have had was tost.
However, Hoffmaun is so good,
and Fosse such an ipnaginative
filmmaker, that the film is well
worth seeing even at the sacrifice
of a few conventions. Of course, if
used to "experimental" films, one
has a great advantage over the
average film oer.
ainment
Lire
Hawaii in the months just
preceding the attack on Pearl
Harbor. Burt Lancaster, Mon
tgomery Clift, Deborah Kerr,
Frank Sinatra, Donna Reed, Er
nest Borgnine and George Reeves
star. Sinatra and Reed won Oscars
for their performances. Burt won
Deborah for his performance.
Wednesday.
METROPOLIS-Director Fritz
Lang and Germany have
dominated Russell House movies
for the last two weeks. An ex
traordinary exciting and expensive
science fiction film that explains
why people can't trust dames and
wonders why the ruler of
Metropolis would stir up dissent in
the peasant population and then
destroy his own city? It's a silent
but superlative Fritz Lang film.
Thursday.
DOWNTOWN
YOU AND ME--David
Carradine, who was in Columbia
Tuesday to promote the film,
Richard Chadbourne II and
Barbara Seagull star in this film
about an outlaw motorcyclist who
teams up with a nine-year-old kid
to roam the countryside between
Los Angeles and Canada. Dutch
Square, PG.
YOUNG FRANKENSTEIN
Nominated for two Academy
Awards, this has to be the classic
comedy film of the year. Gene
Wilder, Marty (goggle eyes)
Feldman and a cast of nuts star in
this tribute to old horror films.
Students should see this one before
leaving for Spring break. Miracle,
PG.
FRAMED--Did you see Walking
Tall on the tube last week? If you
did or even if you didn't, skip this
trash that has Joe Don Baker
making a mockery of good old
redneck American justice. His
baseball bat has been retired but
his mouth hasn't. Plaza III, R.
LENNY--Has Dustin Hoffman
been given too much credit for his
performance in this semi
biography about an early 60's
social satirists' decline and fall
from society? Can Valerie Perrine
act better than she can strip?
Decide for yourselves. Fox, R.
TOWERING INFERNO--The
Academy Awards are a farce.
How could they ever nominate this
fireball for eight Oscars? Paul
Newman and Steve McQueen got
one million dollars each for their
contribution to the movie. All the
audience gets from the movie is
heartburn. Dutch Square, PG.
EARTHQUAKE--The
management states that today is
positively the last day that this film
will be shown. That only means
Earthquake will undoubtedly move
over to the Gamecock Twin
Theatres to be shown for ao~
month. The picture asks of Ava
Gardner and Charlton Hes,
"How long can you tread water?"
Jefferson Square. PG.
MURDER ON THE ORIEN'r
EXPRESS-A thriller where 30
suspects of a murder ask,
"Whodubit?" Here's a hint: It
wasn't Riehard Widmark. Sean
Connery, Albert Finney and ingrid
Bergman star. Richland Mall I,
PG.