The gamecock. (Columbia, S.C.) 1908-2006, April 22, 1974, Page Page 3, Image 3
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BENJAMIN DUNLAP
..."completely successful."
Photo by Russell Jeffcoat
WAS
FIRS
T
International
Streaker Club
Motto:
Rumpe
Well, someone had to do it - and
here it is - the first "Streaker Rumper
Sticker." We were going to make up
Streaker Buttons but with no place
to pin 'em, we made pressure
sensitive Rumper Stickers.
You receive a set of two stickers for
the price of one (this way you have
an extra for a friend - lone streakers
are almost out of style). If you are
one of those people who have been
slapped down without a friend -
you'll just have to use both ... turn
the other cheek.
* I sell by mail - so there is no
middle man. All the profit
goes to me. (With your help
and 999,999 others, I could
become the first "Streaker
Millionaire." Where else but in
America could this happen?)
" Why did I produce such a silly
product? I wanted to make
money, but also because
someone would have done it
- why did the first Streaker
Streak? Furthermore, this day
and time we need a laugh
someplace besides Washington.
* How long will it take me to
send you your stickers? Allow
2 to 3 weeks - If response is
low, I may get them in the
mail to you the day your
order arrives, but I hope I'm
so swamped it will take longer.
(Either way, please 'bare with
me)
* How much? Send one dollar
for set of 2 (cash, check, or
money order).
* Why so high? Because I want
something left for me - By the
time I pay for this ad, the
paper, printing, typesetting,
art, postage, envelopes, storage
space, labor, gasoline to and
from the Post Office, and
Income Tax, there's not a lot
left.
Make Checks Payable To:
CAPPSIZE CR E ATIONS
Send Order To: STREAKE R
BOX 237-G
Adamsvllle, Al 35005
SEND ME--SET(S) OF RUMPE R
STICKE RS. I ENCLOSE $.__...(2$1ea.)
NAME
ADDRESS.
CIT Y
STATE ZIP
10% Discount for 10 or more sets.
Membership in the International
Streaker Club in no way obligates
you to become a participant but the
sticker is sure to become a great
souvenir of the fad that knocked
Watergate and the Energy Crisis of f
the front page. And for the Reverse
Streaker (who prefers to run clothed
thru Nudist colonies) the stickers
look good on the rear of your jeans.
Copyright 1974 Cappsize Creations
1909 Wisteria Drive.Blrmingham, Al.
Cafe Op4
BY CARL BAAB
A little light shone on the
Carolina campus Thursday,
marking the opening of what one
student called "the greatest thing
on campus." The light was the all
new Humanities outdoor,
European-style, come-one-come
all cafe.
"It was a sensational opening."
said English Professor Benjamin
Dunlap. "It was completely
successful." Dunlap, along with
another English Professor, Morse
Peckham, are the people primarily
responsible for the cafe.
Who said it couldn't be done?
Painter-In-.
Presents Fi
BY JANET LEE
Derek Southall, distinguished
British artist and painter-in
residence at USC, will present a
program at 8:30 tonight in the
Business Administration
Auditorium.
A BBC film tracing the
development of Southall's work
will be shown and slides of his most
recent works will be viewed and
discussed. To conclude, Southall
will present a lecture and answer
questions.
Southall has studied at the
Coventry College of Art, Cam
berwell School of Art, University of
London Goldsmith's college, and
with Karl Schmidt-Rottluff in
Berlin. He was head of Fine Art at
the Oxford School of Art in 1964,
first director of the graduate
course in painting at Birmingham
Polytechnic, and in 1972, at the
invitation of the University of
South Carolina, he became painter
in-residence, filling the Edmund
Yaghjian Chair of Painting--a
position provided for by an en
dowment to honor Mr. Yaghjiun's
painting career.
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"The idea was to break-up the
sterile atmosphere that the
University unfortunately has,"
Dunlap said. "We wanted to
stimulate inforial interaction
between faculty and students."
And, according to all reports, it
wrked.
It was, in the language of the late
60's, a "happening" beside the
Humanities reflection pool. "The
area was decorated with huge
banners hanging from the fascade
of the Humanities office building,"
said Dunlap.
The reflection pool was filled,
Residence
lmn, Slides
For the last two years, Southall
has been visiting painter-in
residence at Yale University fqr a
two week period in April, and he is
held in high esteem at that in
stitution. He has had many one
man exhibitions in England and
the U.S., and has been included in
numerous group shows throughout
Europe and the U.S.
His work is among the collec
tions of prestigious institutions in
England, including the Tate
Gallery, the Arts Council of Great
Britain, and the Museum of
Modern Art, Oxford.
His works have been published in
Studio International, and have
received much notice from critics
such as Clement Greenberg,
Herbert Read, John Russell,
Norbert Lynton, and Lord Alastair
aordon. He has been responsible
or bringing such critics and artists
:o the campus to talk with students
is Clement Greenberg, Michael
'yzack, and Derek Boschier.
Sbuthall's work is held in the
iighest esteem by both faculty and
tudents, and his talk should be
attended by all who are interested
n any aspect of the arts.
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iational'
clear and reflecting. The infamous
birds were drinking. And if that
wasn't enough, a lot of people said
they were having a really good
time.
"The resigned University Ar
chitect, John Califf, should get a lot
of credit," Dunlap said, "he
designed the yellow and white
serving push-cart." It was um
brellaed yellow and white anf from
its forays through the festive
crowd it served coffee, donuts,
sandwiches and pastry.
And there was entertainment.
Good ole culturally-infectious fun.
Thursday, on the stage, the
audience watched scenes from
Anouilh's play, Waltz of the
Toreodors, performed by members
of the French Foreign Language
Club. In French, too.
Thursday afternoon members of
the Commedia del arte troupe,
theatre students who performed in
the Rennaissance Banquet, held
the crowd's attention.
"It was standing room only,"
Dunlap said, "There must have
been at least 250 to 300 people
there,"
The stage when empty, ac
cording to Dunlap, can be used by
anybody who wishes to perform.
"A couple of guitar players went
up," he said.
Friday, again to a standing
room-only crowd, the stage was set
with entertainment. "We had an
hour-long concert of Renaissance
Canzoni performed by people from
the Music Department." "Short
compositions for wind in
struments." There were six
muscicians, and, according to
Dunlap, "It was really quite
marvelous."
Of the cafe, the whole thing,
Dunlap said, "It was a festive
atmosphere for graduate students,
undergraduate students and
faculty. It was relaxed pnd
pleasant and there was a good deal
f faculty -student exchange,. That
was the most important thing, the
ultmate rationale."
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