The gamecock. (Columbia, S.C.) 1908-2006, January 17, 1974, Page PAGE 7, Image 7
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ABitM
BY LEE TSIANTIS
Entertainment Writer
Those of us unfortunate enough
to be stuck in Columbia during the
break had a mediocre selection of
films to view. But given that the
major studios produced even fewer
films this year than last, and that
no less a studio than MGM folded
(except for television production)
to develop a multi-million dollar
"Grand Hotel" in Las Vegas, most
of the junk released in 1973 should
come as no surprise. Sure, there
were the summits of "Last Tango
in Paris" and "Cries and
Whispers," but try to think of
others. Here are some of
Columbia's currently playing films
which helped turn a joyous season
into ennui.
"Westworld," playing at the
Plaza III, is such mindless good
fun that adverse words would be
cruel. The premise of this science
fiction film involves Delos, A
Disneyland-type futuristic
playground with three areas:
Westworld, Romanworld and
Medievalworld. Customers, for
$1,000 a day, live in the world of
their choosing and are free to do
whatever they want; shoot, kill,
maim, copulate, etc., for the
inhabitants of the various worlds
are robots and can be repaired. A
few nagging details, however:
Why concentrate on Westworld,
which is surely the most unin
teresting of the three? Michael
Crichton, writer-director, devotes
only three or four shots to
Romanworld--after having clued
us that "one can indulge in every
whim" there. This may be the only
fillm ever made in which a
celebrated actor's performance is
beyond reproach. Yul Brynner, so
often castigated for wooden, robot
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1:15 to 8p.mn. A
Films
ediocrE
like portrayals in past films, here
actually Is a robot, thus making
adverse criticism of him super
fluous.
"The Sting" is an entertaining
film, but nevertheless remains a
mess. Claustrophobically lit,
grossly overplotted and overlong
it is desperately sustained by the
same cutesie-poo relationship
between Paul Newman and Robert
Redford which got stale even in
"Butch Cassidy." Redford the
actor is in severe danger. With
each film he is being pushed fur
ther and Iiirther into the past,
playing characters so dull that one
can only despair, for he is a much
greater talent than can be
discerned from his past efforts. He
looked out of place and old in the
forties and fifties in one of the
year's biggest turkeys, "The Way
We Were." He looked confused in
the thirties of "The Sting."
Redford deserves better. Don't get
me wrong; all these films will
clean up at the box office and make
everyone concerned very rich (the
industry needs all the help it t"m
get) but we'll just have to sustain
ourselves on what we can get from
these performer's vehicles which,
woefully, isn't very much.
"Papillon" is the year's most
expensive production, but surely
doesn't look it. Again, one fine
talent is completely wasted
(Dustin Hoffman) and one talent
that never was fine thrashes about
as best he can (Steve McQueen). If
guillotinings and leprosy turn you
on, by all means see "Papillon."
"Magnum Force," surely one of
the dumbest movies of the year car
only be enjoyed by being treated
.tongue-in-cheek.
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,on. through Sat.
"
"
Liz Schuette an
Revised P
Reopens;
The USC Theatrenwill
present a pre-competition
performasnce of "Dancing
Days," an original play by
David Wesner, at 8:15 tonight
in Drayton Hall. Admission is
$1 for students, faculty and
staff, and $2.50 for the public.
"Dancing Days," which has
since been revised, premiered
last month. It will compete
this weekend in the American
Dance Wo7
The University Union Cultural
Series Committee, with assistance
from the South Carolina Arts
Commission and the National
Endowment for the Arts in
Washington, D.C., will present
J:ames Cunningham and the Acme
Dance Company this weekend.
Its program consists of three
workshops, held in the Campus
Room, Capstone, on Sunday at 7
p.m., Monday at noon and 7 p.m.
The' dance company will perform
its repetoire Tuesday evening at
8:15 in the Campus Room. Par
ticipants in the workshops are
heartily encouraged, and all events
are open and free to everyone.
HEL
'WAa
D AYS A NI
Apply:
1211 College
Street
d Donnie Dyer In '
lay 'Dancq
To Enter (
Theatre Festival Southeast
Region at ther the University
of Alabama. Judges there will
be Brooks Atkinson, Arthur
Miller and Vera Roberts. This
competition is prel;iminary to
the National American College
Theatre Festival in
Washington, D.C. in April.
The play, written as a
master's thesis at USC last
year by Wesner, a Columbia
-kshop Com4
According to Frank Siano, vice
president of the Union, "The
workshops are designed to free
participants of inhibitions. They
always have a vital and exciting
impact on the students--but it
always is a very beautiful one."
Siano noted that Cunningham t
thinks of the workshops as "sound C
anid movement" workshops for
dancers and non-dancers, and likes
to work in large groups with at
pertain amount of individual in
%truction. There is little structure
and the participants can do most
anything they wish. "Flexibility"
s the key word.
Interestingly enough, the Min
eapolis Tribune labeled this group
'P
ITE D
) NIGH TS
BURGER
KING
Dancing Days'
ng Days'
ontest
College instructor, concerns
the intimate agonies of a
returning POW who has been
mistreated by the North
Vietnamese ands finds little
solace at home.
Director of the play is
Roland Reed. Cast members
are Virginia Caughman, Jill
Dalton, Donnie Dyer, Michael
Heck, Elizabeth Schuette,
ng To USC
the "Frank Zappa of modern
dance."
As for the performance, Tuesday
ight, Siano said, "This is the type
f dance Columbia has never seen,
oing away from the con
emporary interpretive and
lassical dances to something
xtravagant and wild. WEveryone
ets involved whether par
icipating or sitting in his seat."
And no wonder. Nude dancing is
art of the repetoire, although it
ms been nixed for Columbia.
4evertheless, James Cunningham
s noted for his unpredictability.
t's a show worth seeing.
CASUAL JEANS
Male-A-St Smile
Longjons Cotler
Live-Ins Campus
Screwdrivers
Cordoroy Flannel
Cotton Blends
Gaberdine Wool
Elastic Waist.
-Bell Bottoms
=1221 ain C+