The gamecock. (Columbia, S.C.) 1908-2006, March 01, 1973, Page Page 7, Image 8
To The Editor:
Last Monday Carolina was
soundly beating Stetson by thirty
points when Coach McGuire put in
the substitutes'who had not yet
played. Among them was Jim Cle
ments. After barely twenty seconds
coach McGuire put in Rick Mousa,
not for Kevin Joyce, who played the
whole game, but for Jim Clements
who had just entered the game sec
onds earlier. At that time Kevin
Joyce had only thirteen points, far
under his average. To most it
seemed that Coach McGuire was
C leaving Kevin in to score more
points in a game that had obviously
been decided by the lopsided score.
- Afterwards it was learned that
Kevin was left in to break the assist
record. Coach McGuire, after
removing Jim from the game, went
down to where he was sitting on the
bench and apparently explained his
reasoning. But of what great signifi
cance is the assist record? Carolina
plays basketball to win games, not
set records. The only record that
means anything is the won-lost
record.
Consequently Jim Clements saw
only a few seconds of action in a
game that was a rout. It was quite
obvious to the fans who could see
him that he was hurt by Coach
McGuire's actions. Jim Clements
has tremendous spirit. No one
cheers the Gamecocks louder or
harder than he does. When he plays,
he plays with that same spirit.
Coach McGuire blew a chance to
make a young man happy during a
trying time for a freshman. I feel
it must have been an oversight on
Coach McGuire's part, and I hope
he can make it up to him.
VINCE DEGENHART
To The Editor,
Have I got a scoop for you!
In the next issue of the Gamecock,
why not have a huge banner head
line shouting: "GAMECOCK USED
TO SOLICIT VOTES!!!"
Then go on to name the politicians
like George McGovern, Ted Ken
nedy, Thomas Broadwater
and-yes-Franchot Brown, too,
that The Gamecock has plugged
(plugged? HELL-crammed down
our throats!).
This is not to condone the use of
Student Government phones to seek
votes for City Council candidates,
but to remind the Gamecock of the
years and years of liberal prop
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aganda and protest movement PR
that has been heaped upon Carolina
students under the guise of "news."
And remember that the
Gamecock is able to print such rub
ish only because students are forci
bly taxed to pay for it.
So if Student Government
chooses to misuse student property
to help Brown win, is it any worse
that the Gamecock selecting-from
among many former Carolina stu
dents who have sought office-this
one candidate for an impressive
write-up?
The next time the dribble of some
Rumanian Eskimo liberator or a
Charlotte Observer pro-Viet Cong
cartoon leaps from the pages of the
Gamecock, we will remember the
day the pot called the kettle black.
EDWARD C. FENNELL
Editor's Note: The Gamecock staff
is changed each semester and is not
responsible for past staffs.
To the Editor:
I noticed a serious ommission in the
article printed in the February 19
Gamecock, titled "Adams Magic
Gone?" The name of the author was
left out, hopefully by accident.
My point is that any performer puts
his neck on the block every time he
performs and every critic is enti
tled to an opinion, even if the opin
ion is not flattering or ego-boosting
to the performer. But the critic
should at least sign his name, and
if it was left out by accident I hope
the Gamecock will rectify this con
spicuous deletion by printing the
name of the author in the next issue.
I would not like to think that the
editorial policy of the Gamecock
would permit anonymous reviews,
which amount to little more than
slander if the author's name is not
appended, and the review is
urifavorable. (We would like to
know the names of the authors of
favorable reviews also, so we will
know how to make out their checks.)
Thank you.
G. B. LANE
INSTRUCTOR IN MUSIC
Editor's Note:
Wagner Roberts' name was
ommitted from his review, "Adams
Magic Gone?" by accident. We
apoligize also to our readers for the
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.etters to Edito
omissions of names on previous
reviews as well as this one due to
problems at our printer's.
To the Editor:
God Bless America and Nixon!
Patriotism has triumphed. The
"Man of Peace" arrives in a gleam
ing jet, surrounded by an elated,
flag-waving crowd; to praise the
esteemed state legislature for sup
port of his Vietnam "policy." Happy
days are here again.. .
The onslaught of social reform
initiated in the turbulent sixties has
grinded to a halt, political medioc
rity has replaced dynamic idealism,
and the Gamecock, self
righteously, and with the approval
of its admiring "grown-ups," dis
misses a legitimate student
demonstration as a "tantrum." (It's
common knowledge anyway that
youth are innately rebellious.)
And naughty Spinazzolo should be
spanked for assuming the right to
participation in extra-university
politics! That pathetic manipulable
puppet of student government
should consider its own dissolution
if it cannot give serious considera
tion, for example, to socializing the
Campus Shop. Is this an unwar
ranted proposal? Hardly-I was
shocked at the discovery of its pro
fit orientation, all at the expense of
university students. Yet it is in con
sideration of this alternative that
we can discover the breadth of stu
dent government authority-insig
nificant or nonexistent?
Meanwhile, the fundamental
"issue" of equality under the law
for women is a highly "con
troversial" question. Not to mention
the supremely rational arguments
of its opponents-shared
bathrooms for both sexes, homosex
ual adoption of children (according
to Mike McAdams in the February
22 Gamecock)???
Meanwhile, Ellsberg and Russo
continue in the throttle of "legal"
reprisal for publication of "top sec
urity" information on the wretched
morass of Vietnam, which even a
special Pentagon report declared
not vital to "security"-except for
perhaps the security of a few blun
dering bureau-cratic idiots. Ber
rigan rots in jail, "amnesty" is taboo
(why exiled Americans would
choose to return anyway eludes
me), and countless others, including
the recently unveiled case of Arthur
4 LUNCH
ECIAL
Burghardt (Time- February 26),
who opposed the macabre machina
tions of the war and the Pentagon
are submerged in various penal
institutions.
In order not to be construed as
a pessimist, however, I will make
the observation that the United
States military presence has finally
been largely terminated in Viet
nam---do I jump for joy? Rather, I
utter an immense exasperated sigh
of relief and await the next quag
mire. Our "honorable peace," of
course, has been achieved, at least
to Nixon's satisfaction (preser
vation of an atrocious military dic
tatorship, utter devastation of an
entire nation, 50,000 of our own
troops dead, along with countless
other "gooks." Oh, it was an
"honorable" peace. . .don't you dis
agree?
1972 is declared by the administ
ration an economic "success,"
though the highly artificial inflatio
nary whirl has entrapped the con
sumer in its geometric spiral. Milk
rises again.
Could we have conceivably for
gotten the lessons of the sixties (4
dead in Ohio)? Does our presidential
anachronism suggest a nostalgia for
the apolitical, superficial, hysteri
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BRITTONES
cal fifties? Have we learned nothing
and forgotten nothing?According to
Jerry Farber, the worst possible
condition of all social movements
is "getting stuck halfway." This is
precisely our present condition in
the student-minority-antiall war
struggles. Absurdity abounds;
Under these conditions, I can only
say-Mickey Mouse and Kurt Von
nogut, Take it, take it away!
TIM BEALL
City Orchestra
'Outdid Itself'
By WAGNER H. ROBERTS
Columbia...one cannot quite live
without pity. And where were YOU
Tuesday, Feb. 20, at Dreher High
School, when a marvelous jewel was
placed in Columbia's cultural crown
-Bernstein, Bach, Villa-Lobos,
Walter Piston, John Dowland, and
Berlioz illuminated the program of
the Columbia Philharmonic
Orchestra. David Starobin, classic
guitarist, appeared as guest artist
as did Patty Durham, the Young
Artist Competition winner.
Little Arpad Daraz came bounc
ing out to the podium like an olive
skinned rubber ball full of raw
nerve ends and showmanship and
led the C.P.O. through "Candide" in
a most professional manner. A shoc
kingly professional performance
and a great sound. The piano was
then trundled on stage over the
bodies of the violists and little Patty
did Bach's "Concerto in D minor"
for piano and orchestra-a rather
forceful and stirring contrapuntal
march through the keys.
The C.P.O. outdid itself again with
a very discreet support, letting the
piano sing out. Miss Durham is cur
rently an education and applied
music major at Columbia and is a
student of Mrs. Robyn Gibson.
And then what we had all been
waiting for-little David Starobin
and Villa-Lobos's "Concerto for
Guitar and Orchestra." This one is
for no amateur and is about as dif
ficult a work for guitar as you'll
hear. Little David had tremendous
difficulty with fast runs, har
monics, and a general falling apart
beyond the twelveth fret. None of
this was helped by the very sour
note the cellos chose to reenter on
in the Allegro non troppo. Overall,
the concerto was bizarre, enchant
ing, and full of surprises-not the
least of which was the C.P.O.'s mas
terful support.
As for little David, it is utterly
amazing to hear someone so
maturely talented that at the mere
age of 21 he can tackle such a hide
ously difficult work as this con
certo. Columbians had him back for
an encore after an impeccably done
"Allemande" by John Dowland.
"The Incredible Flutist" by Wal
ter Piston is a very interesting 20th
Century American ballet score with
some remarkably good lyricism. It
is a hodge-podge of musical impres
sions alternating between marches,
yelling, cheering musicians and
deepest introspection and
melancholia.
Arpad finished the evening off
with Berlioz's loud and stirring
"Rakoczy March"; a symphonic
poem based on an old tune named
for Ferenc Rakoczy who led the
Hungarian revolt against Austr ia in
the early 1700's.
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