The gamecock. (Columbia, S.C.) 1908-2006, September 07, 1972, Page Page 2, Image 2
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One-mon art exhibit
"22nd for Prof. MIe
Dr. Philip Mullen, USC art professor since 1969
;staging hs22nd one-man exhibit through September 15
ithe University's Huntington Gallery located in Slo
College.
The exhibit includes 24 portraits painted by Mullen wh,
, working under a USC summer-research grant. The pt
pose of the display is to express the idea that portraits c
also be autonomous art entities.
The conflict in the idea is that a portrait artist
required to make his work look like someone while
autonomous art entity should stand out on it's own and lo
like nothing else.
- Mullen explained that the exhibit includes works th
are recognizable as portraits but which "should be just
exciting for someone who doesn't know the subject painti
in the portrait as for someone who does."
For example, in the portrait, "David's Tea Party," t
subject, David Easterling, is immediately recognizab]
But the floating compostion of the work also has a stroi
: presence as an autonomous art entity.
Adams: a musical
"Someday I'm going to write a didn't happen. Stricken by
book on piano benches in South stomach ailment, Adams becan
America," said Associate so sick that he started to cancel d
Professor John K. Adams of the concert. "But I knew people we
Department of Music, who counting on me - I knew I just hF
recently returned from a five-week
concert tour of Central and South
America. "In South America you
play on instruments that range
from first class to fourth class."
Adams performed under the I teri
auspices of the United States State
Department, repeating a similar
tour of last year.
"The U. S. embassies," he says,
"see that you meet outstanding
composers, pianists and con-Sr
ductors, so that you get real per
son-to..person contact between theFo St
artists of different countries. These
artists quiz you extensively."
Beginning with Panama, AdamsYo muta
followed his tour line to Chile,
where he spent three weeks. He
played at the United Nations Y
Conference on Trade and A
Development at 'lina del Mar. How
was he received? "Chilean C
audiences rank with the best
auidences anywhere.. .They are
prepared for artistic ap
preciatioj.. .and the newspaper
critics are among the best."
While in Chile, Adams noticed
that the traveling that comes with
such a tour can be physically
depleting. Travel there is very
rigorous due to the fact that the FR i t
country Is very long and narrow
and there are great distances
between concerts.
In Colombia, the size of the
country forces one to fly from one
concert to another. His last con- 13 sebySre
cert, I Cali,Colomba,ianmst happen.__ Stricken___by
is'
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a to do it. I went on and gave my best told,
e performance of the tour. I got a kee
e standiing ovation." "Thi
e But there was one reservation, gu:'3
d "I was three weeks getting over soM
that concert." beca
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Toby K
'Dating
a real
BY BOB CRAFT
Entertainment Editor a
wanted to. I did it for a kick, 41
s all," Toby Kerr, USC student %
about his appearance si
orrow on the network
vision show, "The Dating of
ie." c<
.rr said after school was out ci
spring he hitchiked out to Los
fles, "the dating capitol of the s4
d" as the Dating Game says. tt
just called for a kick, I never tt
y thought I'd get on," Kerr w
He. filled in a little card and tr
the show called him in for the te
interview. "The first in- ff
ew was like the game. If they tr
I you, they called you in for the
nd interview in front of the bi
ucer and the director." If you to
ast the second interview, Kerr to
you were called for a date to at
ze show. ty
ien he got to the studio to the
, Kerr said, "There were 18 w
sitting in a room" to be of
ed about the show. They were st
no politics, no plugs and to
the conversation moving. tr
most important word for the
was "because." If you said re
thing or got stuck, use
use. Like, 'I vant to go out w
At poolside do you let any
Do you fear frizzy locks
and strands all a-blow?
Well, at Vogue your hairI
the main thing we kn.
So plunge into summer
and
let
yourself
go! *
*we repair any hair
look in your npne of yellow I
err
;ame
kick
rith you because I love having fun
r something like that," Kerr said.
The word for the chicks was
Vhy.' 'Why do you want to go out
'ith me?' Why promotes
mething."
While he waited for his turn to go
ri, Kerr said he watched other
rntestants on the show via closed
ircuit television.
"I was a little tense, but I wasn't
:ared," Kerr said. He said that
ie audience was small and that
ie atmosphere of the program
as "fairly personal." He also said
iat there had been so many in
rviews that it seemed like a
irly natural and not really ex
aordinary thing to do.
"I sat there with No. 3, we
!came kind of friends and we
iked and kidded around during
e commercials. You know, 'look
that chick in the front row,' that
pe of thing," Kerr said.
"The chick was beautiful. She
as one of the supporting players
i Ken Berry's "WOW" this
immer," he said.
"The prize was something like a
ip to Arizona," he said.
"I dug the hell out of it. It was
ally unique." He didn't win.
The show that Kerr appeared on
ill be aired tomorrow afternoon.
thing show?
or the one nearest you