The gamecock. (Columbia, S.C.) 1908-2006, April 10, 1972, Page Page 6, Image 6
Clown at
(Continued from page 1)
s,"Hartz said. "The august clown
is the most prevelant. It takes a
special person to be a classical
clown."
Both august and classical clowns
are allowed to talk during their
peerformances, but not the tramp
clown.
"The tramp is pessimistic; he
has nothing to say. It's harder to be
a tramp. You don't have a lot of
freedom. You have to keep the
same expression. Very few clowns
really want to do this tramp," he
said.
But Hartz is one of the few. He
described his clown character as a
"dead-set bewildered dude,
completely bewildered by the
world."
"Before I went out, I felt like the
happiest clown on earth. But when
I get out there, I just felt this ex
pression," Hartz said. "People
identify with it. It shows them their
own mistakes.
"They needed somebody in the
routines who looked like he didn't
fit in. I just looked up at the crowd
as if to say 'what's going on?' he
said.
Hartz described his clown
costume as a torn-up suit, but not
patched like a hobo suit. "It shows
Environmej
only a mov
(Continued from page 1)
"Environmental law", Sive said,
is not a real field of law. It is still a
kind of movement."'The
movement, he said, has
broadended ana expanded and it
grew out of the old conservation t
movement.
Sive mentioned several cases
involving the environmment,
among them the Edison Con
solidation case. this case now
being tried, is the first significant
environmental case. According to t
Sive, the National Environmental
Policy -Act (NEPA) has given
lawyers their greatest litigating
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tempts m
no sign of ever recovering." he i
said.
Playing the same character
every day for five months can 4
sometimes cause problems.
Hartz said he found it hard to 1
break away from the character c
when the show was over.
"Sometimes I would find myself E
using the same expressions and r
gestures when I was in other I
situations, like at the grocery v
store." he said. f
Offstage, away from the crowds I
and lights, the make-up comes off, c
and the clowns look like everyone p
else.
"You'd never know them without c
their make-up," Hartz said. "Most c
.lowns are hard to get along with, p
and they usually don't associate
with each other. The worst thing rt
you can talk about to another to
.lown is the circus." la
The clowns with Ringling
Brothers came from different ei
backgrounds. "There were a lot of s
writers and lot of intellectuals," he I
;aid."Some professors have quit
and become clowns."
After five months Hartz left
Ringling Brothers. "I had three
-easons for quitting," he said. "I
vanted to go back to school and get
ny degree, I had a run-in with the
rtal law
ement
ool. This act requires a prepared
mvironmental impact statement
n every major federal dction. This
statement must be circulated to all
ther commissions concerned.
Sive cited one case using NEPA
he Amchitaka case. The impact
tatement by the Atomic Energy
,ommission was claimed in
ufficient. The court then had to.
lecide if the explosion should go off
is planned, which it did.
The greatest problem is ob
aining the right to be in court,
ccording to Sive. This is a
oroblem that will have to be solved
ly each state, he said.
Ri. THRUSUN.
Staged and
Directed by
RICHARD BARSTOW
ay at 8:00 p.m. * Sat.
p.m. * Sun. at 2:00 &
AVE $1 ON KIDS UNDE R 12
F RI. EV E.@O SA T. MOR N.
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iking pe(
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11.''
Hartz played his last show in
3olumbia, S.C. Now a student at
he University of South Carolina,
ie said he sometimes regrets
juitting.
"I want to go back to work in
ither entertainment or
nanagement when I graduate,"
lartz said. His real ambition is to
iork at the Living World of
tingling Brothers, Barnum and
lailey Circus, an amusement
omplex in Florida to be com
leted by 1975.
During his absence from the
ircus, Hartz has practiced his
lown routine through working in
arades and at charity functions.
"Entertaining for kids is nice but
iugh," he saidl "It's much harder
) entertain a small group than a
rger group."
Hartz goes to see the circus
iery time it comes to town. "It's
till the greatest show on earth.
t'll never go out of style," he said.
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One part of the circus that did go
out of style was the circus tent.
Ringling Brothers left the tent in
1956 and turned to coliseums and
arenas, which werd cleaner and
more comfortable. Hartz said he
hated to see the tent go. "In the
tent everyone looked up; in the
coliseum everyone looks down."
Another aspect of the circus that
has changed is star billing for the
clowns.
"Today there are no stars,"
Hartz said. "Emmett Kelly was
the last clown to have star billing."
However, Hartz does not con
sider Kelly America's greatest
clown. His hero is Otto Griebling.
"Griebling taught Kelly all he
knew. In fact he created the
character that made Kelly
famous," Hartz said. "Otto should
have been the symbol, but Otto
wasn't there when the spotlight hit
Kelly."
Emmett Kelly no longer per
forms with Ringling Brothers but
Griebling is still performing even
00
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though he is 70 years old.
"He's the only clown that can do
what he wants to," Hartz said. "He
can spill a glass of water, and
you'll laugh about it for two
weeks."
Making people laugh is what the
clown business is all about. And
when Conrad Hartz graduates next
December, that's the business he'll
go back to.
"You've really got to love the
circus to be there," he said. "And I
love it."
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