The gamecock. (Columbia, S.C.) 1908-2006, November 08, 1971, Page Page 4, Image 4
At the
Julius
Editr Nte: henone eviws' aShakespearian
production, the temptation is almost overwhelming
to Imitate the Elizabethan style of writing when
composing the review. Let it be said to my credit that
I wrestled with this particular demon and overcame
It.
You remember Shakespeare. He wrote plays better
than anyone who has ever tried it. (Sorry, Tennessee,
you had to know sometime). One of his plays is en
titled Julius Caesar.
The main theme of the play might be summed up
by tie question, "Do you at your best friend
if you think his political ambitions threaten to destroy
the country?" The answer given in the play and in
history is yes.
But you probably know this already. No doubt, at
some time in your high school career, some perverse
English or world history teacher forced the story of
the bloody Ides of March on you.
If you don't remember the story of Caesar that
well, there is a motion picture in town called (sur
prise, surprise) "Julius Caesar."
It's playing at the Jefferson Square and on the
surface, it has all the ingredients of a good Hollywood
film. It has big name stars, big name actors . (there
is a difference), lots of bottle scenes and a scantily
clad breast or two.
The big name stars are Charleton Heston, Robert
Vaughan, Richard Chamberlain and Jason Robards.
The actors are Sir John Gielgud, Richard Johnson
and Diana Rigg. The battle is named Philippi and
no, I didn't catch the name of the breast
To get down to particulars, Jason Robards as
Brutus, is absolutely wooden and acts as though he
were reading his lines from a Tele-Prompter.
When he makes his speech justifying the
assassination, one is inclined to say who cares? When
he is on the porch of his home during the night storm
and Portia (Diana Rigg) comes and asks him to come
back to bed and stop worrying, you wish he would
because then you wouldn't have to listen to any more
of his boring chatter.
Sir John Gielgud, who is in contention with Olivier
and Sir Ralph Richardson fo' the best living actor
title, is frankly embarassing as Caesar.
He, too, acts as though he were reading his lines
from a Tele-Prompter. If that were not bad enough,
he seems as though he has reached advanced senility.
Sir John seems to be saying, "I'm only here to give
this production a little class and to rip off a whole lot
of money from stuvid American gringoes. Pardon
me, Caesar is about to have an epileptic fit."
STUDENT NIG:
Tuesday - 5 PM til Clo
RIB-EYE STE)
DINNER
Tender, luicy Rib-eye
Baked Potato
Tossed Salad
Gerflc Teest TP
548 KNOX ABBO'
movies .
Caesar
--.B-------.-RY Bob Craft
Richard Chamberlain as Octavius Caesar comes
off as a little kid playing in the big leagues. His
darling blonde curls add to this impression, although
I don't know how he pried Mr. Alexandre away from
Liz.
Charleton Heston as Anthony, is as always
Charleton Heston. He, too, had a really nice hairstyle,
although it looked more like a Vidal Sassoon. His
"noblest Roman" speech came out mocking and
cynical, but ten, so did most of his lines. To Heston's
credit, he was probably less wooden than anyone else
in the picture.
Robert Vaughan as Casca got a laugh with his, "I
know not, it was Greek to me" line and was more
sinister thsn was really necessary.
Diana Rigg, the late Mrs. Peel and more recently,
on Broadway with "Heloise and Abelard," gave the
impression during her first few lines of really trying
to break the mold of mediocrity that had a death grip
on the movie.
Her begging Brutus to tell her what is wrong had
the makings of being a high point of the picture. But
she too, slipped back into the shadows.
However, Richard Johnson (Cassius), God love
him, tried valiantly to overcome the boredom that
enveloped the picture. In this particular instance, he
was the noblest Roman of them all. Unfortunately, he
couldn't do it by himself.
The dialogue delivery degenerated though the
movie and by the time of the dramatic meeting of
Cassius, Brutus, Antony and Octavius on the plains of
Philippi, it sounded as though they were saying
"Nyah, Nyah, you big sissy. My legions are better
than your legions."
This is not to say there Were not good points to this
film. As mentioned above, Richard Johnson fought
tooth and nail to deliver a good performance and
occasionally one of the actors would snap out of his
trance and give a really good delivery of a line.
But there was more than this. The minutes leading
up to the assasination are tense and tight and you
feel, although you know what will happen, that they
might be discovered and stopped.
Also, it's generally a kick to see Shakespeare done,
and on that level, Caesar should be seen. It is also a
good picture to see if you wanna impress somebody
with how much couth and culture you got.
However, if you wish to see a good movie, "Julius
Casesar" is not your best bet.
Many pictures have come and many have been
forgotten.
So let it be with Caesar.
[ T
sing
STAGE
Red Car
Monday thr
5:30to
Prime Rit
IA Sandwiches, Soup
634 HARDEN
rT at Five I
Possession and consumi
Theatre pri
'Playboy' r
USC's Theatre will present John
Millington Synge's "The Playboy
of the Western World" Nov. 17-19
at Drayton Hall.
Dr. Kay Bethea is directing the
production in which Hamp Smith
plays the lead role of Christy
Mahon.
Curtain time is 8:15 p.m. each
performance, and tickets, at $2.50
for adults and $1 for students, may
.be reserved by calling 777-4288 or
purchased at the Theatre office in
Drayton Hall.
Assisting Dr. Bethea in USC's
production of the Irish comedy are
scene designer Frank Mohler,
costume designer Erin Wer
tenberger and technical director
Seminar
on drugs
this week
The Southern Newspaper
Publishers Association Foundation
and USC 's Colleges of Pharmacy
and General Studies are spon
soring a seminar for journalists on
"Drugs, Narcotics and Alcohol"
Sunday-Wednesday (Nov. 7-10) at
USC.
Pharmacy Prof. Robert L.
Beamer of USC. is chairman of the
seminar, designed as an
educational program for members
of the press.
Faculty for the seminar, in
addition to Dr. Beamer, are 0.
Wayne Corley, Columbia lawyer;
Sgt. Brendan T. Galvin, Columbia
Police Department; Earl W.
Griffith, director, education and
information services, S. C.
Commission on Alcoholism.
Also Prof. Larry D. Milne, USC
College of Pharmacy; Dr. Ben
jamin 0. Stands, Columbia
pediatrician; and Prof. David E.
Stenmark, USC Department of
Psychology.
pet Hour
u Friday
6:30
wr .t-Up
Dinuter
s, Salads, Desserts
I ST REE T
poInts
oducing
kext week
Jack Shirk.
The story of "The Playboy of the
Western World, has essentially a
serious theme, but the characters -
- their speech and action - make
the show a moving comedy.
Caroliniana
has Garrett
work display
An exhibition of materials of
George Garrett, author of the
critically acclaimed novel "Death
of the Fox," is on display through
Nov. 12 in the Manuscripts Room
of the Caroliniana Library.
The display features letters,
notes and revision comments on
some of Garrett's works, including
that of his recent novel, which is an
imaginary version of the death of
Sir Walter Raleigh.
Garrett is writer-in-residence
and professor of English at the
University. He has received the
Writer of the Year Award from
Contemporary magazine,
published in Atlanta.
The purpose of the exhibition,
according to USC graduate
student Karen Boyle, who
assembled the display, is to call
attention to Garrett's versatility on
the occasion of publication of his
"Death of the Fox."
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