The gamecock. (Columbia, S.C.) 1908-2006, February 10, 1961, Page Page Three, Image 3
February 28
Stunt Ni
BY JOAN WOLCOTT
Assistant Feature Editor
When scenery collapses in your
grand finale
And dancers make needles jump
W rooves
Just brighten your smile and
kick higher, sis
For it's Stunt Night . . . you
gotta get through.
Aching muscles, strained laryn
ges, and stage nerves are synony
mous with sorority Stunt Night,
an integral part of Greek Week.
This event, which ranks in impor
tance with the annual Song Fest,
will be held on February 28 at
8:00 o'clock in the Dreher High
49chool Auditorium.
Many sororities begin making
preparations at 1 e a s t a month
prior to Stunt Night. Good ma
terial and polished talent are vital
ingredients for a successful skit.
Scenery, costumes, lighting, make
up, properties and sound effects
are also factors not to be over
looked.
Each sorority member is urged
by her sisters to reveal any hid
den talent that she may possess
while each general stunt chairman
wishes that she were a combina
tion of Arthur Murray and llercu
les.
fn order of their participation
a Swingline
Stapler no
bigger than a
pack of gum!
984
(Including
1000 sta ple,I
I WINGLINE "TOT"
tillions now in use. Uncondi
tionally guaranteed. Makes book
covers, fastens papers, arts and
crafts, mends, tacks, etc. Avail
able at your college bookstore.
SWINGLINE
"Cub' Staplet $1.29
SWe,3' _-e INC.
LONG ISLAND CITY, NEW YORK. N. Y.
SaM
* menthol fret
* rich toba4
* modei
ht Adorn
in Stunt Night are: Pi Beta Phi, r
'Where The Girls Are," directed J
by Glenda Gunter; Zeta Tau Al
pha, "Grim Fairy Tales," directed
by Jane Workman and Judy -
Davis; Delta Delta Delta, "People
of the Street," directed by Shields
King; Alpha Delta Pi, "Sweet
Dreams," directed by Betty Wy
man and Elke' Maron; Kappa
Delta, "Cornpone Patch," directed
by Linda Leifermann; Delta Zeta,
"From Here to Fraternity," di
"Cocky"
"... o9 GF ----Ti CAMftPvS P
SAVE A
Go on the I
Start Any
SLA
f refr
."a ir-soften
'you. A n
'n flter, too Get acq
s Greek 'V
'cted by Ingrid Oesterlund and "
oan Rennett; and Chi Omega, 1V
Professors
Valentine',
BY BONNIE MILLER d
Staff Writer 14
A new fascinating field of re- 0
earch this semester is being con- v
By Rosemary Hankins .
s
Kl
s
t
t
I (
it
w(yN6 efosm is ovrTWMGcivs..
0NEY
loard Plan.
Monday.
r E____
LkefrOes ourRaseojust s
i"veaihPrsiy ppr ai
uane. it4h pintm-r
icin ntatat mnr re.
Veek
Midnight Magic,! ?!" d'rected by
l(endy Rivenbark.
Study
Origin
icted by out' most eminent col
-go heads . . . that of the study
f the origin and evolution of the
alentine.
It seems the first Valentine's
)ay had its origin back in the
ear 1,234,567 B. C. when one
mitten ape looked at his mate
nd babbled aimlessly. Then to
xpress his real emotion, this love
truck predecessor of our modern
ian sent his heart-throb sailing,
,ith a quick shove and fast jerk,
rom the top limb of the tree to
he grounid. Of course, she didn't
urvive, but then this was also the
eginning of the old phrase "It's
etter to have loved and lost than
ever to have loved at all."
The continuing link in this
hain of evolution was back in the
;tone Age. Here it wasn't quite as
ough on the beloved as in earlier
ays. Now the cave man showed
is affection in a two-fold fashion,
hich consisted of a hard slam of
he club an( a secure grab of the
iair. She even lived once in a
,reat while . . . that was until
he next Valentine's Day.
"Pleaser"
Well, time went on and customs
hanged. Man began developing
nore into what we know today,
he "pleaser" instead of the
pleased."
The liddle Ages brought forth
he grand knight in shining ar
nor. Ile rode gallantly forth on
iis white stallion, bringing his
weetheart small tokens of love
. . such as a dragon he happened
.o pick up or a barbarian he just
iappened to kill.
This brings us conclusively to
ur n o d e r n Valentine's Day
vhere man's e m o t i o n s have
1windled down to a "peck" on the
heek and his love tokens are now
I small piece of cardboard.
landshake
My pity goes though to our
great-great-granddaughters, who
will be highly elated when their
dearest ole proudly presents them
with a s w i f t handshake and a
grain of salt.
But then there is always one
I a s t consolation . . . complete
atomic dtest ruction. Then once
again one smitten ape will look
it his nate and babble aimlessly.
- taste
es, the cool smoke of
p)rinlgtime refreshes
--softens"every puff.
2sh smoke of Salem
lmi. .. smoe Salnm !
RELI.CIM0'S E1NINIASIS \\ EPAS
girl' in .llaxe eem tbe 4-wej41%in1g
Dyke.)
Mack's Ne
Second Se
IY OIN ANI)EIISON
Staff Writer
I)ear .Ila,
I thought Chunkie Fur<l was
bLd. But boy, it shore looks like
my1 n IeW roOmmullate has got himself
a "flare of trouble."
The'I'( reason I said this is because
Rtay Ohis nam11e is Rtay Young)
seen. reard. Spoen
ON CAMPUS
l'odto'Fossfor minlimuncing to
his stcrme/ scnfst<r stwdent.,: that
ie (1piprlil thvir d"Ing so well
fo thfIf i 0 .r .(a that Itey mel111soed
v ftl d/ ' fmetmental cirre t1 r 1his
it. i CiplaInts |rm sta
(it 1,ts fa"n d pr 'f( S bi b u I the
imonal ife oi- h,mk ond suipplif's pur0'
chllsiiy (I ,W,b llms.
Tyic ('aro4linai co4-ed stAting,
"11'm y'ii' t study crerylPf minullte
and44 notf jleasfte any timef, s(o 1 wont
sftm1 411s 4aa anJ ai 11 fll-<ht cojff er f
hi ra k aft honofl , Russe(/Ill f use, ece.
sh/rtnfed( this 444<4k due4 to1 "Na
ff4411 1 m,hn/ t 444 eI k,' adin/ hg
"If may14 be iobsereed'( f/hat Rsll'(
lI/fn.4 5 ells 4444 of icIe' and dougffh
nats 444 dring fhis /iday(111 than( any
4ff/i f/o f/im ifthronyhout t/he yefar."
.-l lan Ii .;xti studef 1 pan/11(icking
ait th' th/4yh fi/f ihac404ing~ to4 c/hanye/
her4 spriny4f 'i k-cnd p4/lans as she
f'inds f/ill theif /profssffr off her
.Naturda < lass do11 s not1.4 honor14144 the
I 'niver~sif ty < /4y/atio o444 f (2olun(
"I|uf I ca'ti standf up/ strailhf!"
a 1 f'rlf/ina1 50oror1iy girl after9
praicfffiny( balck bemis/ for4 Stunt1
* * *
'4fl4 f'ft4 iha rd printalble wfords
doi ift/1 th (is a at otheIr colleges."
.linorf( (2iot inl l1'(lusines Adminis
tration44 44 hi/lin 11/cau1sed byJ studlents
who/l missed(0 yetting registration
card'~s on1 tim beIca14CIuse of unpaid
* * *
( 'rd kitting thiree m?ore inches
ffn her., tmuf//er while/ stand1'ing in
r4e'yistrafftion4? lines.
(arolina4 studen'lt hbucking4' winter
wfiuif and 14( snow11 f/urr(ie'S in knee
4'4 length la/her bofots.
E-;.cifed( coed: " 1ol 10(11ad ftat I
/ha d failed1 '4cPrythinlg. N\ow 1 can
wr'1ite' him that I did pass psy
chl logy.''
N\ew faces that are ev'eryw~here
i a, chIaracterized( b, info,rm,al (I (i,i
themllsehe,.ii in aI d.ru---in led be4 He,I
w Roomm
mester Wi
tarted out the new semuesvit wil,h
i b a l g (and boy do I meal
Youse", h
ind has got ahlt of lrains. ( But
hat don't make a difference . . .
Ie still crazy.) Well, the other
lay he was in one of his Math
.lasses and they had a test. When
he h a n d e d his in. the Prof.
Louldn't read his iamlie. I 'ay
writing l has been referred b hv
his English Profess or aIs s n i V
thiig about half-way between a
doctor's prescriptikIn and Ad
vanced Sanskrit. R ay sa ys i iorc
like a ink-blot, but at lea t it has
personality. ) S41 then the M.ath
Prof. asked who's palper it was
and how you Spelled w0haec :
was that had been scib1bled therc.
That was his Yolak. Ylu si
Ray talks kinda Iow aod drawn
mit, (eXce)t w heui he i k i s ao:t
of coke - t h h 's a prao
and he said to the Pr,of: It'
A Y
like oh lit tie rav
of sunshinet.
Thalt professor1 ain't got any
(ense of huloul . lIe sent! lay t.
-ee the D)ean.
I Jeaun asked himi whv ie said
wvhat het <hdl. W\ell, (Il Iay thoug.ht
I miiinte andi thenti sa id: WellI
talk slow, be
ause I think
slow and while I 'm
saying one w oid
,l'mi thnink ing.
>t an oIther one.
The D ean wasni't ini too happy
imood to begin with.
HeIy! Ray> is ini Sim mg
Bru beck'
Fraternit
MY llA~IIltRiTTE FI N ELSTIIN
ANtD KELLEYi .ONES
Feature Editor
D ave Brubieck, one of A merica 's
- -in fact, one of the world's-- top
jazz artists, will appear in (Colum
.ia Mlarc h 2 with his quartet for
C Greek Week conlcert.
A lead inig jazz col unist, Irv -
ng T'ow nsend, loas comnpared Hru
'heek to the great D uke Ellinlgtoni.
Like the IDuke, Hrubleck has the
rarec ability to change his est ab
ished patterns or even create an
.ntirely new one if the occasion
w~arrants it.
Then, just as he seems to be
0n the verge of entirely leaving
the realm of jazz (and sometimes
af music), Bruheck swings back
with the powver andl simplicity of
he best jazz tradition.
Maturity and Progress
His artistic maturity and his
progress in music are clear to all
Illectors of Brubieck's albums. An
innovator from the start, he has
actually created a jazz original
within the framework of tradi
tional modern jazz. He has, how
ever, become identified, not with
a contemporary facet of jazz, but
wvith the whole of the jazz art.
Brubeck has outlined three basic
categories or levels of creativity
in ia- The first and most do_
* -
0,;'--35555-.S --
oi. wah ji rI..nIIInenlt onim-er,-. Thei
ate Starts
Ith Bang
Iat a to :aid > ii -her night
. . . ; 2y Li ild re -
nie-li e 1 n !.Aa wt \\ c re it-i';'mijig,
hIl 1 ild .i L't 2 tillc. V U got
a~ go' .>eu.d 1. aina n, lie's al
W; 2s f-. dj2 'filli we call
IIwia Le. - i hAIv4L 1ot- of full.
~.lmi1,, I hop i ,\ u lon' thin1k
'I., play. We
;tr!a:: a t :- e m s too.
A l a:.A r t iul, W1 . just
:%ahe :; .. .. 11:ou- E mph11) 1a sis
\ uk'. i u I ciil iitv weck, be
itie l, tho \\ t'.-ver shoerter
-1.1 u!tu . Vy had nice
I4 r,:- In - jIrI.-d 'Llot of
p. . ;w I whten you
nu.nuof cof
\\eek,
('
' d t"IoUgh
- ii K hamn but
-........... u t at
'1 \ . .. X 2 12 n (1
X.X - ni: too.
\\~ 2 E.ay
* . . When I
*oft 2fi*i. he
y Concert
r b - I 2h 2 ' o mu.Vs, a1
I- 12.f, l.a i* ria
11 i1 il Ii f. ' n d h'-r-i- r '.I ' ,itii.
1m1 , XXrs buii : draws\ 1i rictly
XCIVi his a nf llV ll.ki muiliS In
dil: h'stii. iV IdI. level tih e s ofy
thr omb (1 int his ininiation whd
si:eterwhd fix sed parsuhek
((u al Ie t e v ii a erfrmhasnte
bSed oot dli tef11A progresions )and
(pters u11 ieb ha t beensuh pre
Ol trldh 211eromeflew
Brveew sl drubie verblie hisn
distntivTe onyh rta ay type kow
Brabemk st er se e, aAnd yfet,
throug and hif hisintiat.hod