The gamecock. (Columbia, S.C.) 1908-2006, November 06, 1959, Page Page Three, Image 3
Dates Back to 1780
Bell Of 1
On Dispi
BY BILL -LUMPKIN
Feature Editor
One of the few rare and unusual
objects in the South Caroliniana
Library other than books is the
former ship's bell of the frigate
"South Carolina" which saw serv
ice in the American Revolution,
and thereby hangs a tale.
Usually, the Caroliniana Library
emphasizes the fact that it is a li
brary and not a museum by re
jecting all offers of gifts except
such things as books, manuscripts,
and paintings. This bell, engraved
with the name of the ship it was
built for nearly two hundred years
ago, is one of the library's chief
exceptions to the general rule.
The tracing of the bell to the
Revolutionary War frigate "South
Carolina" by' former President of
the University Norman W. Smith,
and the history of the vessel itself
also make interesting reading.
Bell Is Returned
The "South Carolina," acquired
by Captain Alexander Gillon of
this state in his capacity as a naval
purchasing agent in 1780, was cap
tured by the British off the Dela
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Frigate 'S
fay At Ca
ware capes December 20, 1782
After this all trace of the ship anc
the bell which is the only surviving
remnant of it today, was lost.
After a lapse of a century anc
most of a second century the bel
suddenly and unexpectedly came tc
light again in India during Workd
War I. Lt. W. L. Carbine, a
American naval officer stationec
jhere discovered it being used as a
factory bell to call the native
Workers to their labors. Seeing the
name "South Carolina" engravec
on the bell, Lt. Carbine became in.
terested and decided that it wouk
be a good souvenir of two work
wars. It was given to him in ex
change for a new ship's bell ir
1944, 162' years after the frigat
"South Carolina" passed out of th<
pages of history.
When Lt. Carbine returned t<
the United States from the war
he was persuaded to present the
bell to the University by Mis
Kathryn Lewis, now Mrs. Eugen
Sloan. Its location, was change
several times until it reached it
present resting place on the to)
shelf of a bookease in the Carolin
iana Library.
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should"? Or, as Omar
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outh Carr
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Records Searched
Norman W. Smith, w a r t i m e
President of the University and an
Admiral in the United States
Navy, was delighted to acquire a
naval relic of such apparent age
which- seemed by the name of the
state inscribed on the front to
have something to do with state
history. He was curious about its
past, however, and sent letters to
friends in Washington in order to
find out more about it.
A search of government and
naval records revealed that the
only United States Naval vessel
ever to bear the name "outh Caro
lina" was a large battleship which
was melted down for scrap during
World War I. The bell, it was de
cided, couldn't have comi from this
ship as it would have been melted
down too if such had been the case.
A f u r t h e r search of records
dating back before the Constitu
tion led to the discovery that
I there had ben a frigate called the
, "South Carolina" in the service of
, that state's navy before the United
. States Navy was organized. Since
no other ship of this name could
be found anywhere, it was deduced
that the bell at the University had
come from this vessel.
Frigate's Fate
Once the ship was identified, a
brief history of it, as well as ar
almost contemporary picture were
located and its capture by the
British d u r i n g the Revolutior
learned. Once in possession of this
much information, Admiral Smith
wrote to the English Admiralty t<
see if they had any record of the
ship's fate after capture.
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puts It:
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got what counts!
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Library
\ The British reply stated that a
search of available records indi
cated that the "South Carolina"
had had its name changed and had
been sold to the British East India
Trading Company as a merchant
man after being stripped of its
armament. Beyond this nothing is
known; the frigate's final fate is a
matter of conjecture as is the
question of how its bell reached
the factory where it was re-dis
covered.
The bell itself has survived its
long history and extensive travels
in good condition; the metal still
shines and "South Carolina" can
still clearly be read on the front
of it. It is about 16 inches high and
about the same in diameter across
its base. Inside is a large inetal
clapper which was once rung by
sailors jerking a rope tied to it at
one end, so that it hit the side of
the bell. It remains a fragment of
history, gathering dust on a shelf.
Seen. Me~&d, Spokdw
ON CAMPUS
Bewildered Maryland coaches
asking USC photographer why
a roar went up from Stadium
when John Saunders went into
the game.
Speaking of the tribute given
to Saunders, one of the players
said he thought there was a
fight in the stands.
After a certain player, during
the game, knocked down one of
Maryland's passes, one of his
professors remarked, "I'll raise
his grade one-tenth of a point."
Sign on incomplete framework
of Homecoming display "Prog
ress halted due to steel strike.
Forget it."
Intoxicated fan shouting to stu
dents, "If Saunders carries the
ball, no matter what he does,
let's all stand and cheer."
Mr. Garnet and Mr. Black
making their first appearance
at the Homecoming game.
Sigma Nu's struggling to get
their "terrapin" moving for the
benefit of a good-sized crowd
looking on.
Sorority sister's explanation
for not attending a party, "My
dog is expecting puppies!"
Coeds trying to stall late pro
fessor outside of Barnwell, so
his students could leave after
-waiting 10 minutes-mission un
accomplished.
Coed snuggly attired in her
galoshes during rain only to
discover, after wading through
puddles, there were holes in
them.
Laughter of an amused crowd
as the "Gamecock" polished off
his "son" in a mock duel at the
game.
Bearded student in Gamecock
Room being asked by several
coeds and a professor whether
or not he was a "beatnik."
THEPURP
Pfri h Ammpher
Presents Completely
Modern, Cool c
Live Jazz Wednesday
No Federal Cab
No Minimum Cl
Nights of Live
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y25 k
'SWAN LAKE' is the tide of this
painter. It Is a part of an exhibb
lumbia Art Museum. Tbe exiMi
Like No Others
Dali Crel
BY FEATURE WRITER
Spectacular, unique, beautiful
and weird are among the ad
jectives likely to come to the
average observers mind upon
first sight of the jewelry designs
by surrealist painter Salvador
Dali now on display at the Co
lumbia Art Museum.
These jewels, making use of
generous quantities of such rare
materials as gold, sapphires, ru
bies, diamonds, pearls and em
eralds are unlike any the visitor
is likely ever to have seen be
fore, or is likely to see again.
Any cynic who doesn't believe
that all those gems are the real
thing is~ not in agreement with
the Columbia Police Department
which was represented at the
exhibition by a friendly bu t
watchful officer in the lobby.
Blue Drapes, Special Case.
The rooms of the museum de
voted to Dali's handiwork were
draped with heavy blue curtains
from floor to ceiling and each
piece of jewelry had its indivi
dual, black and gold display case
suspended from the ceiling by a
golden chain.
Most students visiting t h e
m u s e u m will probably find
the pieces on exhibition inter
esting and eye-stopping, daring
ly original in concept, and some
times too weird to be truly
beautiful. Most visitors, unless
they happen to like non-objective
art, will also be likely to feel
that Dali has contributed more
to jewelry design than to paint
ing. One of the characteristics
of the exhibits is that they tend
to be much larger than ordinary
pieces of jewelry and constructed
more to be looked at and ad
mired as permanent displays
than to be worn.
"Royal Heart"
Two of the most spectacular
examples of the world-reknowned
surrealist's work, and among the
most beautiful, are the large,
mechanized pieces entitled "The
Royal Heart" and "The Living
Flower."
The "Royal Heart" is an inter
nationally famous piece of jew
elry created by Dali in honor of
the coronation of Queen Eliza
LE ONION
New .Jazz Collection
nd Progressive
and Friday at 9 P.M.
caret Tax "Ever"
arge Except on
Entertainment
HOUR
8-9 P.M.
nasQotnn
seniptured gold creation by Salvadoi
t of original jewelry designs by Dal
lion closes November 11. (Photo by
ites Uniq
beth II. It is made of a nugget of
solid gold shaped like a heart,
inset with a smaller heart en
crusted with rubies which ac
tually pulsates at the same rate
as a living person's. The outer
heart is topped by a gold crown
jeweled with diamonds, pearls,
rubies and emeralds, and the en
tire gem is about the size of a
human palm.
The "Living Flower" is a 18
karat gold model of a flower
with two blooms, paved with
diamonds and the stems imbed
ded in a large chunk of azure
blue malachite. The combined
height of the flower and its base
makes it at least 20 inches high,
the largest jewel on display,
while the lower bloom is mech
anized to slowly open and close
at eight-minute intervals.
Mechanical Functions
Although there were many
other unusual and attractive ex
amples of Dali's work in the
gallery, few, if any, drew more
comment or inspired more awe
than these two among the visi
tors. The pulsating heart was al
most horribly realistic and the
slow opening and closing of the
flower seemed somehow eerie, in
exorable, and menacing as well
as beautiful.
But quite aside from what
must have been an intricate' ex
pensive piece of mechanization
in each case, these two exhibits
were striking, original innova
tions in themselves. Many may
have considered t h ese alone
worth the price of admission,
even without the invisable in
ternal works t h a t animated
them.
Dominant Themes
The dominant themes of the
exhibition sppeared to be reli
gious a n d classical. A wide
variety of cross designs given
such titles as "The Gold Cube
Cross," "The Light of Christ"
" T he Twig Cross" represent
D a 1 1 ' s expression of religious
themes such as The Crucifixion
in jewelry. Themes concerning
classical romance included "Tris
tan and Isolde" and "Ophelia."
"Tristan and Isolde" are rep
resented as the heads in profile
of a young couple with the con
tours of their faces fitting into
the contours of a goblet placed
between them. The faces are
solid gold, the goblet made of
tiny diamonds, and the "wine"
it contains is of rubies. "Ophelia"
FOR SUPPE
TRY OUR TENDER,
Sauted in Butter a
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French Fri
Ripe Tomnato Sil
We Have Dininsg I
PHvas
Dali, world-reknowned surea sa
i presently on display as the Co
Blake Fishburne.)
te Jewels
is less flatteringly represented,
having a blank yellow jewel for
a face.
D a Ii demonstrates a light
touch with some of his pieces
such as the "Corset Ring," "Slow
Ring" "Telephone E a r Clips"
and "Ruby Lips." The first three,
unlike many of the jewels on
display' can all be worn. The
latter makes the old poetic
cliche about beautiful women
having "ruby lips and teeth like
pearls" literally true since it is
made of just these materials. The
"Slow Ring" is a gold snail shell
with a large jewel in the center.
"Swan Lake"
Two of the most unusual non
mechanized examples of t h e
"Dali Touch" are the pieces
called "Swan Lake" and "The
Eye of Time." "Swan Lake' " pic
tured elsewhere on this page, is
described by the brochure identi
fying the exhibits as "A mermaid
of sculptured gold inset with a
swan of diamonds, afloat on a
sapphire lake." Viewere may
have varying opinions as to its
beauty, but they'll have to ad
mit its not something you see
every day.
The "Eye of Time" is a watch
but it resembles an ordinary
watch about as much as a Picas
so painting ressemibles a photo
graph--and that's not a very
close similarity, for those un
familar with the work of Picasso.
This timepiece as interpreted by
Dali takes the shape of a human
eye, in three shades of blue
enamel, decorated by diamonds
set in platinum and a single
ruby.
This 'last piece is certainly
original in concept, but is some
what reminiscent of an Oeulist's
sign. However, each piece on dis
play probably makes a different
impression on each person. Near
ly all will probably agree they
saw enough that they liked to
get their money's worth, if the
reaction so far continues. Ale
many & Company Jewelers, ex
ecuted the construction of the
jewels.
This display of the Dali "Art
In Jewels" collection will remain
at the Columbia Art Museum
until Wednesday, November 11
and can be seen Monday through
Saturday between 10:00 a.m.,and
6:00 p.m. Sundays the Museumi
will be open from 2:00 to 6:00
p.m. Admission is 554 for stu
dents, $1..10 for adults.
R TONIGHT
JUICY BEEF STEAK
ud Served on Toast
Ith -
ed Pqtatoes,
~s on Crisp Lettue
ooas Avilable For
Parsies