The gamecock. (Columbia, S.C.) 1908-2006, May 04, 1928, Page PAGE THREE, Image 3
E CAMPUS
Rare Books In
Library
By R. M. KgNNZDY
(Continued from last week)
RoyCroft Editions
We have at least six splendid-exam
ples of the work of Thomas Roy
croft (-1677), one of the most schol
arly and distinguished makers of fine
books that Great Britain has produced,
who was "Printer in Oriental Lan
guages" to Charles II.
1. Burton's "Commentary of An
tonious his Itinerary of Journies of the
Romane empire, so far as it concern
eth Great Britain," London, 1658, 4o.
This volume has, on front and back
covers, stamped in gold, the coat of
arms of King George I. Evidently it
once adorned the shelves of his library.
2, 3. The Ogilby translations of the
Iliad (1660) and the Odyssey (1663),
both folio, London. Updike mentions
these as fine examples of Roycroft's
skill. .
4. "Chronicus Can. Aegypticus, Eb
raicus, Graecus," London, 1672.
5. Walton's great Polyglot Bible,
in nine languages, 6 volumes, folio,
London, 1653-57.
6. Castell's "Lexicon Heptaglotton
Hebraicum, Chaldaicum, Syriacum,
Samaritanum, Aethiopicum, Arabi
cum, et Persicum," 4 vols., London,
1669.
These last two treasures I discover
ed. with great delight, among the
hundreds of great old folios in the
gallery, which are listed in the Walker
catalog of the libracy, but which, for
various reasons, are only now being
indexed in our modern card catalog.
Of the Walton-Roycroft Polyglot,
Updike says it was "the greatest typo
graphical achievement of the century,
printed entirely from types cut by
English hands."
Brunet says of it: "This Polyglot,
to which necessarily belongs Castell's
"Lexicon Heptaglotton," is the most
sought after, because it is more com
plete and correct than the others and
because it contains nine different lan
guages. The examples to which is not
joined the Castell Lexicon lose nearly
half their valus."
Watt says of it that it is chiefly
grounded on the Paris polyglot of Le
Jay (described under onather head),
'to which it is much inferior in typo
graphical execution," though more
useful because of its "superior accura
cy and the improvements it was en
abled to make on the ormer work":
"further that it was the first book
ever published by subscription in Eng
land. Hc also speaks of the Castell's
Lexicon as "a very necessary supple
nment" to it.
Elbert Hubbard has sought to per
petuate the fame of the famous pub.
lisher in his "Roycrofters," a colony of
several hundred artisans and artists, at
East Aurora, New York, who make a
specialty of, fine editions of books, in
no wise comparable, however, to the
productions of the great master. Up
dike considers this modern institution
"of dubious typographical value."
The Moydell Editions of Shakespeare
and Milton
Certainly among the most beautiful
and generally interesting volumes
that we own are the edlitions of Shake
speare and Milton, gotten out by the
eminent 18th century British publish
ers and engravers, John and Josiah
Boydell.
The poetical works of Milton are in
three folio volumes, with 28 beautiful
plates and four portraits and were is
sued in London, 1794.
The plays of Shakespeare arc in nine
folio volumes with 96 plates and two
portraits and were published in Lon
don, 1802.
As a companion volume to the latter,
the Bpydells produced the magnificient
volumes entitled : "A collection of
prints, from pictures painted for the~
purpose of illustrating the dramatic
works of Shakespears. by the artists
FEATURE
Antiq.ue Invitations
Received By Library
"Bids" Over Century Old Pr
sented By Edwin G.
Seibels
Valuable antiques continue to be
added to the University Library Mu
seum room.
Recently Mr. Edwin G. .Seibles, a
citizen of Columbia presented to this
department two very interesting invi
tations to social functions held in Co.
lumbia in the early years of the last
century. Each are over a centry old
but duration of time has altered their
of Great Britian. London, J. and J.
Boydell. 1803. Two volumes, F6."
The genesis of this splendid under
taking was at a supper at Josiah Boy
dell's in 1787, at which were present
Benjamin West, Romney and other
artists. The suggestion was made that
there should be a great "National Edi
tion" of Shakespeare, comparable to
the superb editions that other nations
had gotten out of the works of their
great authors. The Boydells were
urged, and agreed to attempt, the
stupendeous enterprise.
John Bodell (1719-1804), and his
nephew, Josiah, had long established
their reputation as the foremost en
gravers of Great Britian. Their
prints had practically run foreign en
gravers out of the British market, in
which they had long been supreme.
John Instituted the "School of En
graving in England," and he had been
honored by election, first as Alder
man, later as Lord Mayor, of London.
In pursuance of their plan of getting
lut this great edition of Shakespeare,
they set themselves to establish an
"English School of Historical Paint
ing." The foremost artists of the per
iod, and many of the lesser lights,
were asked to contribute paintnigs il
lustrating the works of the immortal
"Bard of Avon." These paintings
were collected by the Boydells in their
"Shakespeare Gallery." They had, ac
-ording to the account in the Inter
national Encyclopedia, 170 pictures
oainted at a cost of 30,000 pounds. As
John Boydell seems to have owned the
collection (see preface to the prints), I
take it that the artists were paid from
the proceeds of the sale of the prints.
Josiah Boydell (in the Preface) says
that "some single prints cost upwards
of 1,500 guineas."
Among the painters that contributed
to the work were Romney, Sir Joshua
Reynolds, Benjamin West, Opie, Hop
pner, and a host of less famous paint
ers, such as William Hamilton, North
cote, Angelica Kaufman and others.
The exquisite steel engravings were
made by Ryder, Playter, Ogburne,
Ramon and others. They are all
mounted on linen and, almost without
exception, are masterpieces of art.
Josiah Boydell contributed several
paintings, but I cannot find his or
John's names as engravers on any of
the pictures.
John and Josiah directed and pub
lished the stupendous work, assuming
artistic and financial responsibility.
They also appear to have selected the
subjects; under each engraving is the
quotation illustrated.
It is sal to relate that the French
Revolution and the Napoleonic regime
caused the Boydells to' lose their
large continental patronage, so that
they had to dispose, in 1804, of all of
their "artistic property" by lottery. It
would be interesting to know what
became of their copper plates and of
the "Shakespeare Gallery."
Sir Joshua Reynolds, at a Royal
Academy dinner in 1789, toasted John
Boydell as "the commercial Maecenas
of England."
Nicol, in the preface to the text, of
which he was an associate publisher
with the Boydells, states that, owing
to the low state of printing in Eng
land when the work was started, it was
necessary for them to establish their
own printing house, a foundry for the
casting of type and even a manufactorv
an individuali family in any age or in
any country."
(Continued next week)
STORIES
appearance very little, as they are still
in perfect condition.
One of theni reads:
"At the Junior Teaparty, Green's
Hotel, Tuesday' evening next, seven
o'clock, the honor of Mr. Seible's and
Lady's company is solicited. Signed by:
Charles Martin, J. J. Chappell and U.
J. Goodwin, managers.
10 of June, 1803.
The other invitation reads:
"Columbia Commencement-Ball. The
pleasure of Miss Seibles' Company is
solicited in the Senate Room, at 6
o'clock P. M. on Tuesday the 4th of
December, 1810." Signers: William
Butler, Christ. B. Pegues, Joseph V.
Shanklin, "Samuel G. Earle, Joseph
Pyatt, Wyatt W. Starke.
The most remarkable thing about
these invitations is that they are print
ed ons the back of ordinary playing
cards. The back of one is the three
of hearts and the other, the nine of
diamonds.
These inviations have been framed
by the librarian in such away that
both the front and back are visable.
They may be seen in one of the dis
play cases of the museum room of the
library.
Uwe
Little Willie-Yah, I saw you kiss
my sister.
Cadet (hurriedly)-Ah..er-here's a
quarter.
Little Willie-And here's ten cents
change. One price to all, that's the
way I do business.
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ni'
Oi928 R . .J. R EY N OLD.n 'l
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